Nina Simoneaddressed the church bombing with much different spiritual tome, "Mississippi Goddam." Simone's offering possessed more heat than Coltrane's but one equally relevant. Simone and Coltrane bravely provided corrosive commentaries on the murders. Now, enter trumpeter Donald Malloy, presenting his own divine inspiration through the medium of jazz.
Spirituality is a ten-part tone poem composed and arranged by Malloy for his talented sextet. Malloy funnels the themes of Coltrane and Simone into simple etheric themes that operate in a mantra-like manner. Malloy is no Miles Davisacolyte. While adopting the master's use of space and silence, Malloy opts for the piercing tone of Freddie Hubbard, tempered with Lee Morgan and Donald Byrd. Malloy's solos bristle with energy and a tone like bullets hitting a bell.
Tia Fuller's alto and soprano saxophones and flute are a tonal match for Malloy's assertive approach. "UpLift" is brightly updated hard bop with a mild Latin beat pushing Malloy and Fuller through the descending head. Fuller's alto is full-bodied and self assured. "Oshun" features pianist Michele Rosewomanand vocalist Barbara Barrett, who doubles Fuller's special flute on the theme. Malloy is placed far back as the voice in the wilderness to effect a multi-layered texture.
Spirituality is Malloy's answer to Coltrane and Simone, 45 year later, when much distance has been coveredwith even more left to go.
Track Listing: Ibarago; Uplift; Oshun; Oba Intro; Oranmila; Nora East; On the Path; Baba Feruru; Shango; Oba.
Personnel: Donald Malloy: trumpet; Tia Fuller: alto and soprano saxophone; Seth Johnson: guitar; Shamie Royston: piano; Tom DiCarlo; bass; Rudy Royston: drums; Michele Rosewoman: piano on 3; Barbara Barret: vocals on 3 and 10.
Record Label: Self Produced
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