How we rate: our writers tend to review music they like within their preferred genres.
One thing evident from the outset of Marshall Gilkes' Sound Stories: this is a band that impresses with the sheer force of its Herculean chops and unbridled, ceaseless energy. Juilliard-educated and currently residing in Cologne, Germany, Gilkes is one of the most impressive young jazz trombonists to emerge in the last few years. Given the crop of amazing young trombonists on the scene these daysJoe Fiedler
that's really saying something. Gilkes' solos combine uncanny pinpoint control with ideas that exude sweat and soul.
On Sound Stories, his third release, Gilkes wields some very heavy composing chops as well. The eight original pieces on Sound Stories are quite appealing, and firmly in the modern mainstream with the occasional odd turn. Several combine aggressive post-bop lines with classically inflected, almost Aaron Copland-esque melodies that occasionally have a gospel-like grandeur. Gilkes and his band leaven acrobatic modern jazz with some sweetly balladic moments. "Bare" is an warmly emotional ballad that lives up to its title, if it's meant in the verbal sense. Pianist Adam Birnbaum
is along for this particular ride. Universally recognized as one of the finest tenor soloists around today, he goes toe-to-toe with Gilkes on pretty much every tune. This is a real treat. Not only that, but McCaslin and Gilkes sound great together in the frontlinenot quite as gritty as The Crusaders' Wayne Henderson