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Robin McKelle & The Flytones: Soul Flower (2013)

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Robin McKelle & The Flytones: Soul Flower How we rate: our writers tend to review music they like within their preferred genres.

First, Robin McKelle & The Flytones Soul Flower is not neo-soul. Neo-soul is what Amy Winehouse was and Cee Lo Green is (at least on his "Forget You"). Neo-soul is a cheeky attempt to cash in on a classic style while, at the same time, not taking it seriously. Second, Soul Flower might be better termed retro-soul, except that McKelle avoids the pitfall of clinging too tightly to the old style that has plagued other artists trying to put a new spin on the soul canon. A mixture of originals with some clever covers make up Soul Flower. McKelle is a more than capable composer—a roll she shares with Sam Barsh (bassist Avishai Cohen
Avishai Cohen
Avishai Cohen
b.1970
bass
's former pianist).

For any Baby Boomer, Soul Flower can be eaten with a spoon. It is more Motown than Memphis by way of Muscle Shoals, and smacks of Bobbie Gentry having a pool party with Gladys Knight and the Pointer Sisters. McKelle possesses a contemporary authenticity that manifests in her assimilation of multiple older styles presented with a freshness that has the fragrance of experience re-imagined. Pianist Beat Kaestli Ben Stivers ' use of the electric piano lends this collection of a dozen songs that sound, which is at once retro and chic. This, coupled with McKelle's honesty, makes this a recording that should encourage a reappraisal of period soul and that being made today. And isn't that what all art is supposed to do?

Track Listing: So It Goes; Tell You One Thing; Nothing's Really Changed; Fairytale Ending; Miss You Madly; Don't Give Up; Walk on By; To Love Somebody; Change; I'm Ready; Love's Work; I'm a Fool to Want You.

Personnel: Robin McKelle: vocals; Derek Nievergelt: bass; Adrian Harpham: drums; Ben Stivers: keyboards; Al Street: guitar, Scott Aruda: trumpet; Mike Tucker: saxophone.

Record Label: Sony Masterworks

Style: Vocal


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