Nguyen Le: Songs of Freedom (2011)
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For over twenty years, Nguyên Lê has collaborated with a growing cadre of like-minded musiciansmostly Paris-based, where the guitarist of Vietnamese origins residesbuilding a body of work that is, in the truest sense of the word, "world music." From the Afro-centric band Ultramarine, and exploration of his own roots on the seminal Tales from Vietnam
(ACT, 1996), to recent explorations of a nexus where programming and spontaneity meet on Homescape
(ACT, 2006), Lê has carved out a unique spaceoften fusion-like in its electricity and energy, but avoiding the negative connotations; undeniably jazz-centric, too, but largely eschewing overt references to traditionalism. These days, plenty of jazzers draw on pop music, but you'd be hard-pressed to find another taking a crack at one of the 1960s' most iconicand, often, reviledsongs, Iron Butterfly's "In A Gadda Da Vida," as Lê does on Songs of Freedom
With an unorthodox core quartet, reliant on mallet instruments for much of its chordal support, Lê tackles other '60s chestnuts, like Cream's "Sunshine of Your Love"which, after a seemingly non sequitur
introduction, filled with thundering percussion and wailing voices, turns relatively faithful, albeit at a brisker pace and with an uncharacteristic complexity of percussive detail. But once singer Himiko Paganotti gets past the first verse and chorus, the harmonic center shifts, and suddenly, with vibraphonist Illya Amar layering a shifting cushion of chords over bassist Linley Marthe's lithe underpinning, the song turns into an odd-metered solo feature for Lê, his mesh of oriental microtonality and occidental grit and grease moving in parallel with background vocal percussion, leading to a knotty, thundering finale.
As for "In A Gadda Da Vida," sure, its near-Jungian riff remains intact, but delivered on marimba, and driven by drummer Stéphane Galland's lithe 17/8 pulse, there's none of the original's gravitas
, as Lê takes its preexisting Indo-centricity further, giving it an idiosyncratic arrangement; its chorus gradually building to staggering contrapuntal confluence and impressive solos from Lê and Amar, before a newly composed section leads to an ostinato-driven drum solo that avoids all the clichés of the original...all in a nice, compact five minutes.
Elsewhere, Lê tackles The Beatles
' "Eleanor Rigby," with Youn Sun Nah
making one of two guest appearances (the other, a tabla and konnakol-driven version of Led Zeppelin
's "Whole Lotta Love" ), the guitarist's swirling, ethereal guitar lines supporting the singer during an extended intro before the band enters, eastern linearity meeting western harmonies in Guo Gan's erhu and Lê's electric guitar, for a more subdued yet undeniably grooving album opener.
When it comes to interpreting music in a jazz context, freedom more often than not means improvisational
freedom, and to be sure, Songs of Freedom
has plenty of that. But clearly, for Lê, the concept has more to do with an unfettered prerogative to draw on what, in many cases, are the simplest of song forms, as grist for far more elaborate compositional reworks filled with pointillist detail. Songs of Freedom
combines heartfelt respect with absolute irreverence, breathing an utterly different kind of life into these songs, four decades after they first hit the airwaves.
Track Listing: Eleanor Rigby; I Wish; Ben Zeppelin; Black Dog; Pastime Paradise; Uncle Ho's Benz; Mercedes Benz; Over the Rainforest; Move Over; Whole Lotta Love; Redemption Song; Sunshine of Your Love; In A Gadda Da Vida; Topkapi; Come Together.
Personnel: Nguyên Lê: guitars, computer, fretless electric guitar (3), prepared Vietnamese Cai Luong acoustic guitar (8), baby 12-string acoustic guitar (14); Illya Amar: vibraphone (1, 2, 4, 5, 7, 9, 10-13, 15), marimba (1, 2, 4, 5, 7, 9, 10, 12, 13, 15), electronics (1, 2, 4, 5, 7, 9, 10, 13, 15); Linley Marthe: electric bass (1, 2, 4, 5, 7, 9, 10, 12, 13, 15), vocals (12); Stéphane Galland: drums (1, 2, 4, 5, 7, 9, 10, 13, 15); Youn Sun Nah: lead vocal (1, 10); Ousman Danedjo: vocals (1, 2, 7, 15), lead vocals (5); Gou Gan: erhu (1); Stéphane Edouard: percussion (1, 4, 9, 12, 15); David Linx: lead vocal (2, 9), vocals (7, 15); Himiko Paganotti: vocals (2, 5, 15), lead vocal (7, 12); Prabhu Edouard: vocals (2), percussion (2), tablas (10), Indian vocals (10); Dhafer Youssef: vocals (3, 4); Karim Ziad: percussion (5), karkabus (10, 12), drums (12); Hamid El Kasri: gumbri (5); Keyvan Chemirani: zarb (7); David Binney: alto saxophone (9); Julia Sarr: vocals (7, 15), lead vocals (11).
Record Label: ACT Music
Style: Fusion/Progressive Rock