The development of jazz as an art form can be expressed in terms of study, technique, and application, but the real proof in the pudding is whether the music moves the listener. Saxophonist Gian Tornatore's debut recording, Sink or Swim, exhibits these qualities in an impressive fashion.
On the academic end Tornatore is a graduate from Berklee, and has studied with saxophonists Joe Lovano, and George Garzone. The fact that his first major gig at the age of 16 was with the '70s and '80s female rock group Heart is an interesting tidbit but it's his own voice as a jazz musician that takes center stage on his self produced recording.
On the technique side, Tornatore's voice may not sound as polished as some, but it more than fills in the gap with a soulful and free presence as he equally demonstrates his skill on both tenor and soprano. It always nice to hear original material and six out of the eight compositions show off the saxophonist's writing and arranging qualities with music that is poised, reflective, and of the present.
His band for the occasion includes a tight set of musicians who perform the music with energy and honesty. Individual highlights thrive, such as the quartet swings with fire on "Three's a Crowd," as Zach Wallmark gives a stellar bass solo. Jon Anderson's dual combo attack with either piano or Fender Rhodes is a switchup as he performs with complete coolness on the ten minute opener "For RPMS." Miles Davis' timeless composition "Nardis" showcases an impressively hot drum solo by David Christian, which develops into an equally explosive drum and sax battle.
There's quality and truthfulness in the music of Sink of Swim that may clearly identify with discriminate listeners who want more than just an academic persona in their music.
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand. Their massive record collection, my parents taking me to concerts and clubs (only one of five kids to do so), the Magnavox furniture stereo/radio ... it all added up. It was complex, emotional music. And it had rhythm! I drummed and followed the music through the '60s even as I enjoyed the new musics of my generation.
Along with side-trips to other musicians and music, it's been one hell of a pony ride ever since.