Italian poet Erika Dagnino runs a transatlantic- bilingual career. In Europe she works with avant-garde and free jazz musicians as Italian violinist Stefano Pastor. In the States she recorded with avant-garde composer and pianist Chris Brown and leads her own New-York based free jazz quartet comprised of reed player Ras Moshe, double bassist Ken Filiano and percussionist John Pietaro.
The setting of fiery free jazz fits the uncompromising temper of Dagnino's poetry and her bilingual delivery of lines, first in Italian, than reprised in English. As if only the intense and rough emotional turmoil of free jazz discourse and the musical flexibility of seasoned improvisers can envelope Dagnino's unsettling tales of fever, wounds and dry solitude. Her somber, almost militant reciting is part of the free-flowing musical texture, balancing the interplay, contributing to the suspense and leaving enough room for improvisations that add emotional depth to the suggestive spoken words.
Dagnino poems attempt to encompass momentary experiences of fleeting natural scenes, acknowledging its passing, the passing of time, of life. The chamber, free improvisation mirror these dark visions as both are sonic utterances of the moment. This bleak ambiance is best captured on "Terza Improvvisazione" and "Quinta Improvvisazione," with the recognition that: "Upward footprints of clouds. Downward wounded footprints...," abstracted with dissonant electronic sounds, fractured rhythms and tensed bowing on the double bass on the former, and a powerful, possessed performance on the latter by the quartet.
Dagnino poetry and music demand careful listening before the multifaceted images and sounds are grasped. Still this is a highly rewarding experience.
Track Listing: Preludio; Prima Improvvisazione; Seconda Improvvisazione; Terza
Improvvisazione; Quarta Improvvisazione; Intermezzo; Quinta
Improvvisazione; Improvvisazione Finale.
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds. I love how jazz can involve musicians who may have never met each other can coming together and making incredible music by referring to the Great American Songbook and musicians who have been playing together for years, who have a deep connection and who explore and create original music that is at the cutting edge of musical innovation in every sense. Performing jazz music requires a virtuosity and technique that only strict discipline can teach as well as a spontaneity and playfulness that reflects the simple folk roots of the music.
I was first exposed to jazz as a student in college. Only knowing I wanted to play guitar, I enrolled in an applied music program that focused on Jazz rhythm section playing. The subsequent journey that I have been on since the time that I enrolled in that class has helped me grow not only as a musician but more so as a person.