Amazon.com Widgets

Andrea Centazzo & Gianluigi Trovesi: Shock!!

By Published: | 2,459 views
Andrea Centazzo & Gianluigi Trovesi: Shock!! No stars How we rate: our writers tend to review music they like within their preferred genres.

Not shocking, but wonderfully atmospheric. When the Mitteleuropa Orchesta broke up, two of its members joined forces for a series of concerts. Their rapport was great; Centazzo says they had 'the ability to reinvent on stage every night what was essentially a conversation between friends.' And they have plenty to say: while Andrea crashes, Trovesi hums, swoops, and decorates the evolving rhythm. It's a world of sound, a whirl of emotion ' and a shock to the system.

Andrea, persistent on tom-toms, brings us to the onset of 'Shock'. Trovesi, on slippery soprano, trills the nervy theme with hints of Steve Lacy. It then becomes a march: as cymbals form a mist, tiny notes peep from the sax, the chirps of a distant cricket. The beat returns, and Trovesi floats mournful notes with the touch of an oboe ' dignified, and profoundly sad. The 'nature' mood comes back, only more turbulent. A high bleat leads to deep rumbles, the bass drum gets frantic, and Trovesi more so. One final squawk at the end, bolstered by echo, and he creeps away in a fog of percussion. An electric moment.

'Cen.Tro.' is an eternity in four minutes. Life goes on at the dock: a bell tolls, a horse snorts, and the foghorn sounds. (Trovesi does both on a bass clarinet.) The bells turn more exotic, and now we hear gongs: the port is somewhere East. Colors drift and the sun slowly rises; nothing happens but the mood, and that is enough. 'Tro.Ce.' is a world away: Trovesi on a vigorous march, the strident notes proud but worried. It sounds like modern classical; the clarinet's quizzical notes fall on a bed of echo. Andrea takes to the blocks, and percussion trades with the quiet reed ' shades of Takemitsu. Now the gongs, and while Andrea goes wild, Trovesi stays dignified ' a wonderful contrast. Andrea is certainly a different drummer, and I'm marching next to Gianluigi!

'Shockmaker' is frantic, Trovesi on what sounds like amplified alto. As Andrea goes strong, his partner erupts: greasy lines of blurred notes, some late-night struttin' and an aggression we didn't know he had. The closest thing here to straight jazz, and a wonderful dose of fury. 'Day in Tunisia' has a walking marimba, and a line close to Ravel's 'Bolero'. It's bass clarinet with th stance of a baritone sax; he answers himself with dubbed clarinet, high and peaceful. Mist rolls in as several basses make a bagpipe drone, joined by gongs. It's the harbor sound of 'Cen.Tro.', only louder. Andrea's solo takes a lot of bells, intermittent drums, and layered shimmers ' intense, but calm. The parts are disparate, but it works as a whole ' like the group itself.

When recording was done, the musicians left the studio and were startled to find themselves in a blinding snowstorm. (They ended up having to walk home.) So wrapped in their music, the men lost all contact with the outside world. Hearing this, toy can see why: between thunders and whispers, the intricate lines and earthy moods, they create their own environment. And you'll feel right at home.

Record Label: New Tone

Style: Modern Jazz


comments powered by Disqus
Search
Support All About Jazz Through Amazon

Weekly Giveaways

Mark Elf

Mark Elf

About | Enter

Stefano Bollani

Stefano Bollani

About | Enter

Carmen Lundy

Carmen Lundy

About | Enter

Wadada Leo Smith

Wadada Leo Smith

About | Enter

Bandzoogle: GET STARTED TODAY - FREE TRIAL

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

Article Search