Where Senzo falls short is in its tendency to get too deep and meditative. Without a rhythm section to guide him along, Ibrahim seems to get lost in space at times, exploring ideas that don't resolve themselves. The album doesn't really start to swing per se until Ibrahim settles into rhythmic, South African grooves on "Tookah" and "Pula," nearly half-way through. Unfortunately, by "For Coltrane," Ibrahim changes feels and is mired in a pleasant but listless melody.
Because of the continuous flow of Senzo, skipping around can make create the feeling of being a bit lost, lending to the more classical feel of the album. On the plus side, the sound quality is gorgeous, making it possible to truly appreciate the tender, earnest warmth of Ibrahim's sound. While this is a fine recording, those new to Ibrahim might find a more accessible entry point to his music in one of his recordings with a rhythm section, such as the live Cape Town Revisited(Enja, 2000), which features the talented yet seldom-heard South African trumpeter Feya Faku on several tracks.
Track Listing: Dust; Corridors Radiant; Jabulani; Dust (Reprise); 'Senzo' - Contours and Time; Meditation / Mummy; Banyana, Children Of Africa; Mamma; Blue Bolero; In a Sentimental Mood; Ocean & The River; Ocean & The River (2); In the Evening; Blues For Bea; Prelude 'For Coltrane'; Aspen; Blues for a Hip King; Third Line Samba; Tookah; Pula; For Coltrane.
Personnel: Abdullah Ibrahim: piano.
Record Label: Sunnyside Records
Style: African Jazz
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