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Celebrated hip-hop producer Scotty Hard realizes a longstanding ambition on Radical Reconstructive Surgery: the pairing of keyboardists John Medeski and Matthew Shipp. This album documents the first-ever recorded encounter of the two players, both former students of the New England Conservatory of Music. Half the pieces consist of written collaborations between Medeski, Shipp and Hard; the remainder of the tunes were written by Hard.
Medeski and Shipp are joined by stalwart bassist William Parker and rising drummer Nasheet Waits. Effortlessly flowing from one funky gambit to the next, Parker and Waits lay a solid, rhythmic foundation with in-the-pocket grooves. Mauricio Takara intermittently adds percussion, while DJ Olive introduces subtle atmospheric textures into the mix. Hard's understated contributions provide the sort of focused sonic cohesion that supergroup meetings such as this often lack.
Hard's role as matchmaker pays ample dividends; Medeski and Shipp make an analogously funky pair. Medeski generates idiosyncratic variations on an assortment of old analog keyboards while Shipp expels pensive, angular melodies, primarily on piano. Parker's monolithic bass tone and Waits' adept drumming are further amplified by Hard's beat-heavy post-production skills. DJ Olive's swirling textures float freely throughout, while Hard cuts the original organic recording session into skittering fragments and jittery blasts of sound.
The soloing here is brief and thematically concise. Medeski and Shipp are more concerned with texture and ambience than endless virtuoso noodling. Anchored by the rhythm section's heavy bottom end, the keyboardists chime in to accentuate the mood, dabbling in brief discourses. Mostly it's an amalgamation of Medeski and Shipp's personal styles. Only "Anatomy of Melancholy" sounds anything like a typical MMW groove, with its ebullient shuffle rhythm, cascading piano riff and punchy bass line. "Cocktail" conjures the swinging futurism of Sun Ra in just under two minutes. The majority of the session is dominated by cybernetic funk and moody sci-fi ambience, awash in old school retro-futurism.
Another successful collaboration from Thirsty Ear's Blue Series, Radical Reconstructive Surgery is truth in advertising about Scotty Hard's augmentation of a studio recording between two like-minded masters. Funky, adventurous and succinct, it delivers all the best traits the series has to offer.
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland. The best show I ever attended was Earl Hines when I was in middle school. My Dad took me. The first jazz record I bought was a Dinah Washington LP. My advice to new listeners is to find artists and composers that are not mainstream. Go outside the box. Please don't just purchase what they are pushing on iTunes.