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The arrival of a new star in the jazz guitar cosmos, and the chance it offers to wrest a little more of the instrument back from the smooth and fusion apes, is always something to celebrate. The emergence of Brooklyn-based Mary Halvorson
, who debuted as a bandleader in 2008 with Dragon's Head (Firehouse 12 Records), has been accompanied by even more bunting than usual. "The most impressive guitarist of her generation" was an early verdict in All About Jazz. "Probably the most original jazz guitarist to emerge this decade" agreed the Chicago Reader. Neither opinion was hyperbolic. Halvorson is, indeed, the real thing, and she sounds like nobody else.
A featured member of bands led by reed players Tim Berne
, among other luminaries, Halvorson has form. Inevitably labelled an "outside" player because of the company she keeps, Halvorson defies the stereotype by also being easy on the ear. She employs dissonance and microtonality, but within the context of harmonically pleasing arrangements; she messes with the beat, but recognizes the connective power of motor rhythms; she's comfortable with rock grooves, but can swing like Jimmy Raney
. Halvorson has made the most of the harmonic possibilities offered by the addition of two horns, who with the guitar create gorgeous three-part harmonies during the theme statements. The harmonies, says Halvorson, were influenced by such diverse inspirations as trumpeter Clifford Brown
Once the themes are out, the quintet generally adopts a straightforward soloist-with-backing formatalbeit a limber, interactive backingwith little collective improvisation, at least as that description is generally understood. Halvorson is the main soloist, but Finlayson and Irabagon step forward regularly, and Hébert and Smith get opportunities too. After Halvorson herself, Irabagon is the most charismatic soloist, his flexible embrouchure creating its own microtonal moments.
Outside but also inside, adventurous but also accessible, Saturn Sings is a new sound from a new star.
Track Listing: Leak Over Six Five (No. 14); Sequential Tears In It (No. 20); Mile High Like (No. 16); Moon Traps In Seven Rings (No. 17); Sea Seizure (No. 19); Crack In Sky (No. 11); Right Size Too Little (No. 12); Crescent White Singe (No. 13); Cold Mirrors (No. 15); Saturn Sings (No. 18).
Personnel: Jonathan Finalyson: trumpet; Jon Irabagon: alto saxophone; Mary Halvorson: guitar; John Hébert: bass; Ches Smith: drums.