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  <title>All About Jazz CD Reviews</title>
  <link>http://www.allaboutjazz.com</link>
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  <dc:date>2008-05-11T05:38:41-06:00</dc:date>

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# <title>Shot x Shot: Let Nature Square</title>
# <url>http://www.allaboutjazz.com/coverart/2008/shotxshot.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=29373</link>
# </image>

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<title>Shot x Shot: Let Nature Square</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29373</link>
<description><![CDATA[Shot x Shot is an acoustic quartet comprised of twenty-something graduates of the University of the Arts in Philadelphia, PA. Their sophomore effort, Let Nature Square, is their first studio recording, following their highly acclaimed 2006 live, self-titled debut on High Two.

Saxophonists Dan Scofield (alto) and Bryan Rogers (tenor) make up the effusive front line, with Matt Engle (bass) and Dan Capecchi (drums) forming a pliant rhythm section. All scene regulars, Scofield and Engle are members of the cutting edge Latin jazz ensemble Sonic Liberation Front, while Scofield and Rogers work with fellow Philadelphia-based saxophonist Bobby Zankel...]]></description>
<dc:subject></dc:subject>
<dc:creator>Troy Collins</dc:creator>
<dc:date>2008-05-11T05:38:41-06:00</dc:date>
</item>


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# <title>Karl Seglem: urbs</title>
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<title>Karl Seglem: urbs</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29367</link>
<description><![CDATA[Karl Seglem's solo performance at the 2006 Punkt festival in Kristiansand, Norway prompted the observation that he is, indeed, the Hendrix of the Goat Horn. That anyone could take such a pure and organic instrument, feed it through an array of effects and come out the other side with a mix of contemporary jazz, Norwegian folk music and more, made it one of the most ear-bending performances at a festival that continues to demonstrate just how far away from its roots jazz has traveled...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Kelman</dc:creator>
<dc:date>2008-05-11T05:38:31-06:00</dc:date>
</item>


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# <title>Marilyn Crispell: Vignettes</title>
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# <link>http://www.allaboutjazz.com/php/article.php?id=29347</link>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29347">
<title>Marilyn Crispell: Vignettes</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29347</link>
<description><![CDATA[Pianist Marilyn Crispell has always been an intense musician, no matter what style of music she happens to be playing. Two of the high points of the ECM catalogue, from the standpoints not only of intensity, but of beauty were Nothing Ever Was, Anyway (1997) and Amaryllis (2001), both with bassist Gary Peacock and drummer Paul Motian...]]></description>
<dc:subject></dc:subject>
<dc:creator>Budd Kopman</dc:creator>
<dc:date>2008-05-11T05:38:25-06:00</dc:date>
</item>


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# <title>Frank Lowe: Black Beings</title>
# <url>http://www.allaboutjazz.com/coverart/2008/franklowe.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=29370</link>
# </image>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29370">
<title>Frank Lowe: Black Beings</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29370</link>
<description><![CDATA[The age of the LP was often one of compromise for jazz musicians. Given the restrictions on playing time, recordings had to be edited to fit. This meant a loss of ideas and of development with the truncated versions being shadows of the whole. The emergence of the CD has seen the revival of music with the whole performance included. Sometimes the edits were better, but many times the complete picture brings in a deeper dimension and impact. The latter sensibility grabs this recording which has fifteen minutes added to "In Trane's Name" and "Thulani...]]></description>
<dc:subject></dc:subject>
<dc:creator>Jerry D'Souza</dc:creator>
<dc:date>2008-05-11T05:38:19-06:00</dc:date>
</item>


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# <title>Keith Jarrett / Gary Peacock / Jack DeJohnette: My Foolish Heart</title>
# <url>http://www.allaboutjazz.com/coverart/2007/keithjarrett_1.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=29368</link>
# </image>

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<title>Keith Jarrett / Gary Peacock / Jack DeJohnette: My Foolish Heart</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29368</link>
<description><![CDATA[There's not a whole lot 63 year-old jazz legend Keith Jarrett hasn't achieved in his illustrious forty year career as a recording and performing artist. He has recorded more than fifty albums in various formats, and each project has a special significance for his fans. The Keith Jarrett Trio has come a long way from its bright start in 1983. The success of three consecutive albums, two of jazz standards--Standards, Vol.1 (ECM, 1985) and Standards, Vol. 2 (ECM, 1985)--and the freely improvised Changes (ECM, 1983)--all recorded at a single 1983 session--set the foundation for one of the premiere bands in the history of jazz, now celebrating its 25th anniversary in 2008...]]></description>
<dc:subject></dc:subject>
<dc:creator>Nenad Georgievski</dc:creator>
<dc:date>2008-05-11T05:36:03-06:00</dc:date>
</item>


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# <title>Francisco Pais Quintet: School Of Enlightenment</title>
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# </image>

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<title>Francisco Pais Quintet: School Of Enlightenment</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29364</link>
<description><![CDATA[31 year-old guitarist Francisco Pais is a lyrically-minded jazzer hailing from Portugal, now living in Boston, possessing a refreshing approach and sound. He follows up his outstanding 2006 debut with a release that further codifies and focuses his concept, preferring color to line, distillate to volume, and restraint to abandon, yet pulsating with a sumptuous passion all its own. Like the tasteful trickle of new small-group recordings emanating from the Lisbon scene, the sound is not overtly Latin yet figuratively drenched in its climes...]]></description>
<dc:subject></dc:subject>
<dc:creator>Phil DiPietro</dc:creator>
<dc:date>2008-05-10T00:21:25-06:00</dc:date>
</item>


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# <image>
# <title>Eivind Opsvik: Overseas III</title>
# <url>http://www.allaboutjazz.com/coverart/2008/eivindopsvik.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=29372</link>
# </image>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29372">
<title>Eivind Opsvik: Overseas III</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29372</link>
<description><![CDATA[Over the past decade Norwegian born bassist Eivind Opsvik has become omnipresent in the fertile Brooklyn jazz scene. A stalwart supporting player, Opsvik demonstrates an even greater talent with his unfussy, harmonious writing. Brought to life by his long-standing Overseas ensemble, Opsvik's singular compositions unveil structural, harmonic and melodic sensibilities that draw greater inspiration from popular music than they do traditional jazz...]]></description>
<dc:subject></dc:subject>
<dc:creator>Troy Collins</dc:creator>
<dc:date>2008-05-10T00:21:17-06:00</dc:date>
</item>


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# <image>
# <title>Taylor Eigsti: Let It Come To You</title>
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# <link>http://www.allaboutjazz.com/php/article.php?id=29369</link>
# </image>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29369">
<title>Taylor Eigsti: Let It Come To You</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29369</link>
<description><![CDATA[Music is aroused in the soul. Pianist Taylor Eigsti harkens to the call and finds his inspiration in a well-chosen selection of standards and four originals on Let It Come to You.

Eigsti's firm sense of harmony and focused direction turn this outing into a delicious adventure. He gives melody its due even as his innovations brim with exciting ideas. His band adds to the impact, and he is astute enough to utilize the line-up for maximum impact...]]></description>
<dc:subject></dc:subject>
<dc:creator>Jerry D'Souza</dc:creator>
<dc:date>2008-05-10T00:21:11-06:00</dc:date>
</item>


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# <image>
# <title>Jon Balke: Book of Velocities</title>
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# <link>http://www.allaboutjazz.com/php/article.php?id=29366</link>
# </image>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29366">
<title>Jon Balke: Book of Velocities</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29366</link>
<description><![CDATA[On paper, Norwegian pianist Jon Balke's first solo album reads like challenging stuff: a collection of eighteen short improvisations, grouped into five sub-sections (four "chapters" and an "epilogue"), and concerned as much with the velocities with which the piano's strings can be struck--and how they can be struck--as with thematic or harmonic development. Something for fellow pianists to marvel at and the general listener to struggle with...]]></description>
<dc:subject></dc:subject>
<dc:creator>Chris May</dc:creator>
<dc:date>2008-05-10T00:21:02-06:00</dc:date>
</item>


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# <title>George Schuller's Circle Wide: Like Before, Somewhat After</title>
# <url>http://www.allaboutjazz.com/coverart/2008/georgeschuller.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=29362</link>
# </image>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29362">
<title>George Schuller's Circle Wide: Like Before, Somewhat After</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29362</link>
<description><![CDATA[Despite Keith Jarrett's ongoing success as a solo improviser and standards interpreter, many bemoan his decision to stop writing in the mid-1970s. Improvisation may be spontaneous composition but, with his 1970s American and Scandinavian Quartets, the pianist created a songbook that remains influential to this day. George Schuller's Round 'Bout Now (Playscape, 2004) was a thoroughly personal tribute to Miles Davis' transitional period of 1967-1969. Returning with Circle Wide for Like Before, Somewhat After, the drummer fashions an equally distinctive homage to Jarrett's American Quartet. Alongside six Jarrett compositions, two Schuller pieces are so in touch with the spirit of Jarrett's music that they could easily have been a part of the American Quartet's repertoire...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Kelman</dc:creator>
<dc:date>2008-05-10T00:20:55-06:00</dc:date>
</item>


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# <title>Jurg Bucher: The Music of Herbie Nichols</title>
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# <link>http://www.allaboutjazz.com/php/article.php?id=29353</link>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29353">
<title>Jurg Bucher: The Music of Herbie Nichols</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29353</link>
<description><![CDATA[Pianist and composer Herbie Nichols (January 3, 1919 - April 12, 1963) is perhaps most famous for being virtually unknown in his lifetime, and remaining so to a great extent even to this day. His music is usually linked stylistically with Thelonious Monk, whom he knew and admired, because of its wry humor, which hides surprising harmonies and construction belying a deep intelligence showing more of a classical influence. There are a number of performers actively bringing his music to audiences, including pianist Frank Kimbrough's Herbie Nichols Project and trombonist Roswell Rudd...]]></description>
<dc:subject></dc:subject>
<dc:creator>Budd Kopman</dc:creator>
<dc:date>2008-05-09T00:06:11-06:00</dc:date>
</item>


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# <title>Trio Reenactment: Trio Reenactment</title>
# <url>http://www.allaboutjazz.com/coverart/2008/trioreenactment.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=29354</link>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29354">
<title>Trio Reenactment: Trio Reenactment</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29354</link>
<description><![CDATA[The deep dark prowling bass lines that open up Trio Reenactment's "Groove Chick," says that this Detroit-based piano trio's leader is bassist John Barron. The up-tempo composition has the feel of a Motor City "Night in Tunisia," as it drives forward with an exotic groove.

Barron, pianist Sven Anderson and drummer Rich Emanuel are veterans of the Detroit music scene, with a collective resume involving funk and Afro-Cuban sounds, Brazilian music and Broadway shows, Latin and Motown soul and straight-ahead jazz. On Trio Reenactment the group shows off their multiple influences and considerable mainstream piano trio chops...]]></description>
<dc:subject></dc:subject>
<dc:creator>Dan McClenaghan</dc:creator>
<dc:date>2008-05-09T00:06:03-06:00</dc:date>
</item>


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# <title>Marcin Wasilewski Trio: January</title>
# <url>http://www.allaboutjazz.com/coverart/2008/marcinwasilewskitrio.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=29349</link>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29349">
<title>Marcin Wasilewski Trio: January</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29349</link>
<description><![CDATA[With January, pianist Marcin Wasilewski, bassist Slawomir Kurkiewicz and drummer Michal Miskiewicz step out of the benign shadow of their mentor, trumpeter Tomasz Stanko--on whose Soul Of Things (ECM, 2001), Suspended Night (ECM, 2003) and Lontano (ECM, 2005) they were featured accompanists--and confirm the mighty promise of their international solo debut, Trio (ECM, 2005)...]]></description>
<dc:subject></dc:subject>
<dc:creator>Chris May</dc:creator>
<dc:date>2008-05-09T00:05:56-06:00</dc:date>
</item>


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# <title>Roy Campbell: Akhenaten Suite</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29363">
<title>Roy Campbell: Akhenaten Suite</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29363</link>
<description><![CDATA[Any relationship to ethnicity or artistry that an individual advocates predisposes how that individual might be viewed from the outside, yet strength of self-perception cancels out the superficiality of any invisibly barbed labeling. Music becomes a means to translate self-perception into a language which not only transcends social divides but also can relate the story of origin...]]></description>
<dc:subject></dc:subject>
<dc:creator>Lyn Horton</dc:creator>
<dc:date>2008-05-09T00:05:54-06:00</dc:date>
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# <title>Jacob Young: Sideways</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29359">
<title>Jacob Young: Sideways</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29359</link>
<description><![CDATA["Everything in nature is reborn within the circle of life, and shines with new brightness, hope and promises." These words, by writer/illustrator Flavia Weedn, find echo in Lillehammer, Norway-born Jacob Young's "Near South End," a spirit-lifting composition featured on Sideways, his second effort for ECM...]]></description>
<dc:subject></dc:subject>
<dc:creator>Martin Gladu</dc:creator>
<dc:date>2008-05-09T00:05:49-06:00</dc:date>
</item>


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# <title>Marc Copland: Another Place</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29345">
<title>Marc Copland: Another Place</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29345</link>
<description><![CDATA[It's taken nearly a lifetime for British pianist John Taylor to receive the credit he's due. While still underappreciated in his own country, Marc Copland does seem to be pushing his way through the morass of American pianists to a position of greater prominence. With a discography that gets better every year, Copland--approaching sixty, but looking a decade younger--is, with little fuss but relentless persistence, emerging as an artist of significance, with a leading voice and compositional approach...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Kelman</dc:creator>
<dc:date>2008-05-08T00:06:17-06:00</dc:date>
</item>


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# <title>Gonzalo Rubalcaba: Avatar</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29342">
<title>Gonzalo Rubalcaba: Avatar</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29342</link>
<description><![CDATA[Listening to Avatar--pianist Gonzalo Rubalcaba's first release since 2006--is kind of like eating unshelled lobster: It takes hard work and a will of iron to get to the meat. And while that meat may be succulent to some, the taste may not be for everybody. 

 The problem originates with the "shell" that surrounds most of the seven tunes on Avatar. Rubalcaba gets some terrific performances from his quintet, and does his usual stellar job at the piano. Unfortunately, there was a conscious decision to make most of the heads exceedingly dense--not dense in terms of intelligence (the compositions are nothing if not smart), but dense in terms of the amount of musical information the listener must process right from the outset...]]></description>
<dc:subject></dc:subject>
<dc:creator>J Hunter</dc:creator>
<dc:date>2008-05-08T00:06:11-06:00</dc:date>
</item>


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# <title>Bobby Previte and the New Bump: Set The Alarm For Monday</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=29196">
<title>Bobby Previte and the New Bump: Set The Alarm For Monday</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29196</link>
<description><![CDATA[A seminal figure in the Downtown New York scene, drummer and composer Bobby Previte resurrected his Bump the Renaissance ensemble for the cinematic Set The Alarm For Monday. Previte's venerable acoustic group has featured a rotating roster of talent over the years, including Ray Anderson, Curtis Fowlkes, Wayne Horvitz, Lenny Picket, Steve Swallow and Tom Varner. Ellery Eskelin (tenor saxophone), Bill Ware (vibes) and Brad Jones (bass) form the current incarnation, with special guests Steven Bernstein (trumpet) and Jim Pugliese (percussion)...]]></description>
<dc:subject></dc:subject>
<dc:creator>Troy Collins</dc:creator>
<dc:date>2008-05-08T00:06:05-06:00</dc:date>
</item>


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# <title>Russ Nolan and the Kenny Werner Trio: With You in Mind</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=28964">
<title>Russ Nolan and the Kenny Werner Trio: With You in Mind</title>
<link>http://www.allaboutjazz.com/php/article.php?id=28964</link>
<description><![CDATA[Two Colors (Rhinoceruss, 2004), the first release from saxophonist Russ Nolan as a leader, impressed both by an exquisite partnership with pianist Sam Barsh and the leader's convincing command of both tenor and soprano saxes. The saxophonist's sophomore effort, With You in Mind, reprises his traditional approach in the context of pianist Kenny Werner's superb piano trio. Nolan's affinity for pianists is again readily apparent on a varied musical program that includes paeans to Trane, Monk and drummer Billy Kilson...]]></description>
<dc:subject></dc:subject>
<dc:creator>Elliott Simon</dc:creator>
<dc:date>2008-05-08T00:05:55-06:00</dc:date>
</item>


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# <title>Pete Robbins: Do The Hate Laugh Shimmy</title>
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<title>Pete Robbins: Do The Hate Laugh Shimmy</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29343</link>
<description><![CDATA[Altoist Pete Robbins' Do The Hate Laugh Shimmy functions like a treatise on synthesis, where disparate influences are not so much juxtaposed as woven together with style and grace. This CD makes a clear statement that these are times that celebrate a storied history of musical innovation. What felt like a gradual exploration of evolving alternatives in the 20th Century is now reaching a level of refinement, where today's innovators are synthesizing the work of predecessors who had done the same themselves...]]></description>
<dc:subject></dc:subject>
<dc:creator>Wilbur MacKenzie</dc:creator>
<dc:date>2008-05-08T00:05:50-06:00</dc:date>
</item>

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