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  <title>All About Jazz Feature Interviews</title>
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  <updated>2013-05-13T00:20:21-06:00</updated>
  
  
<entry>
<title>New York Voices: Keeping the Vocal Jazz Flame Burning</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44530" />
<content type="html"><![CDATA[<a href=http://www.allaboutjazz.com/php/musician.php?id=26810>m: Kim Nazarian</a> went to college in upstate New York for acting, with dreams of the Broadway stage. Some 25 years later, she's enjoying a career that has taken her to stages around the globe--but as a singer. Not just a singer, but one of four that makes up New York Voices, a group that has won Grammy Awards and performed with many jazz luminaries during its illustrious run...]]></content>
<author><name>R.J. DeLuke</name></author>
<updated>2013-05-13T00:20:21-06:00</updated>
</entry>

<entry>
<title>John Etheridge: More Than a Legacy</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44447" />
<content type="html"><![CDATA[The home page of guitarist John Etheridge's website reveals that he's involved in seven current projects: nothing too unusual in the life of a contemporary jazz musician. Closer inspection quickly shows that the term "jazz musician" fails miserably to encompass the full range of Etheridge's work. There's his career as a solo performer; his duo with the classical guitarist <a href=http://www.allaboutjazz.com/php/musician.php?id=12788>m: John Williams</a>; his duo with violinist <a href=http://www.allaboutjazz.com/php/musician.php?id=26197>m: Chris Garrick</a>; Garrick and Etheridge's quartet Sweet Chorus, inspired by <a href=http://www.allaboutjazz.com/php/musician.php?id=7175>m: Stephane Grappelli</a>; his trio with bassist <a href=http://www.allaboutjazz.com/php/musician.php?id=3417>m: Arild Andersen</a> and drummer <a href=http://www.allaboutjazz.com/php/musician.php?id=9106>m: John Marshall</a>; and the <a href=http://www.allaboutjazz.com/php/musician.php?id=11600>m: Frank Zappa</a>-inspired Zappatistas...]]></content>
<author><name>Bruce Lindsay</name></author>
<updated>2013-05-07T00:20:26-06:00</updated>
</entry>

<entry>
<title>Peter Hook: Tragic Joy, Electrified Order</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44347" />
<content type="html"><![CDATA[Joy Division existed for three and a half years before it reached its tragic end in 1980, but its musical legacy still resonates strongly today. Within that limited period, four young lads from Manchester changed the direction of music--first, by pioneering what is now called post-punk, and inspiring countless other artists along the way, most notably U2, The Cure, Interpol and Editors. Formed by bassist <a href=http://www.allaboutjazz.com/php/musician.php?id=49915>m: Peter Hook</a> and guitarist Bernard Sumner after seeing the Sex Pistols play in Manchester in 1976, the group took shape when singer Ian Curtis responded to a "seeking singer" ad...]]></content>
<author><name>Nenad Georgievski</name></author>
<updated>2013-04-30T00:20:14-06:00</updated>
</entry>

<entry>
<title>Kendrick Scott: Conviction of a Jazz Oracle</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44405" />
<content type="html"><![CDATA[Kendrick Scott, considered by many as one of the most gifted drummers of his generation and trusted on stage by peers such as trumpeter <a href=http://www.allaboutjazz.com/php/musician.php?id=1784>m: Terence Blanchard</a>, is ready to take the spotlight as a bandleader once more with his third studio project. This is a record about a true desire to act as an instrument of peace and a heart full of faith and realizations; a jazz musician telling his own story as he perceives it--and as his band members understand it...]]></content>
<author><name>Esther Berlanga-Ryan</name></author>
<updated>2013-04-29T00:20:16-06:00</updated>
</entry>

<entry>
<title>Terri Lyne Carrington: The Long Road</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44373" />
<content type="html"><![CDATA["Better Git It in Your Soul," a perspicacious jazz man once communicated in a song title more than half a century ago. Drummer Terri Lyne Carrington wasn't even born yet, but she sure did have it in her soul upon arrival. Long before she was even aware of bassist <a href=http://www.allaboutjazz.com/php/musician.php?id=9429>m: Charles Mingus</a>, the author of those words, she had "it." It was rhythm and she exuded it and fostered it at a very early age...]]></content>
<author><name>R.J. DeLuke</name></author>
<updated>2013-04-22T00:20:15-06:00</updated>
</entry>

<entry>
<title>Ralph Bowen: The Power Play</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44339" />
<content type="html"><![CDATA[[Editor's Note: A shorter version of this interview was originally published at Jazz.Ru. It has been translated and expanded exclusively for All About Jazz.]

<a href=http://www.allaboutjazz.com/php/musician.php?id=5208>m: Ralph Bowen</a> was born in Canada but he has pursued a jazz career in the United States for over 20 years, as tenor saxophonist, composer and arranger. He strikes neatly with his recordings as a leader, just like it was done last year with Total Eclipse, an album recorded with his quartet: organist <a href=http://www.allaboutjazz.com/php/musician.php?id=19042>m: Jared Gold</a>, guitarist <a href=http://www.allaboutjazz.com/php/musician.php?id=14728>m: Mike Moreno</a> and drummer <a href=http://www.allaboutjazz.com/php/musician.php?id=26600>m: Rudy Royston</a>. Bowen has a spotless reputation in the U.S. jazz community, but remains virtually unknown to international audiences. Bowen is an Associate Professor of Music at Rutgers University and a Visiting Associate Professor at Princeton University. His academic responsibilities are the primary reason why he seldom travels. When he does tour, he rarely ventures far from the northeastern region of the United States. But in mid-March, Bowen came to Russia for the second time. His quick, distinctive, powerful playing was a fresh discovery for the majority of Russian listeners. His only other trip to Russia was in 2011, when he was invited to join an international band led by pianist <a href=http://www.allaboutjazz.com/php/musician.php?id=19127>m: Ivan Farmakovsky</a>. The 2011 project involved Farmakovsky's jazz arrangements of Russian songs. For his most recent visit in March, Bowen performed a program of his own music, backed by Farmakovsky's trio. The idea was received with evident warmth by audiences who had no idea of Ralph Bowen as a composer...]]></content>
<author><name>Diana Kondrashin</name></author>
<updated>2013-04-09T00:20:16-06:00</updated>
</entry>

<entry>
<title>Nels Cline: Finding Others</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44127" />
<content type="html"><![CDATA[Ask 10 people when they first heard of guitarist Nels Cline and you'll get 10 different answers. Maybe it was when he joined award-winning, arena-packing, ever-touring rock band <a href=http://www.allaboutjazz.com/php/musician.php?id=21933>m: Wilco</a>. Or maybe it was stumbling upon a guitar internet forum where nerd boys and girls go over the minutiae of his expansive and varied effect pedals, amps, and guitars. Or it could have been hearing his critically acclaimed The Giant Pin (Cryptogramophone, 2004) with his group, the <a href=http://www.allaboutjazz.com/php/musician.php?id=32773>m: Nels Cline Singers</a> (even though nobody sang). Or maybe it was hearing one of the 600+ recording credits that he has, with a diverse group of performers that it's truly difficult to pin him down to any genre...]]></content>
<author><name>Ted Harms</name></author>
<updated>2013-04-08T00:20:15-06:00</updated>
</entry>

<entry>
<title>Lionel Loueke: Creating His Own Lines</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44227" />
<content type="html"><![CDATA[Lionel Loueke, the guitarist from Benin in West Africa who brings to jazz music rich melodic and rhythmic sensibilities influenced from his homeland, always had an eye for inventing his own lines; injecting his own persona into the music even when it was against the rules. Even when he didn't yet realize the magical sounds he heard on recordings by the likes of <a href=http://www.allaboutjazz.com/php/musician.php?id=3789>m: George Benson</a>, <a href=http://www.allaboutjazz.com/php/musician.php?id=9528>m: Wes Montgomery</a> and <a href=http://www.allaboutjazz.com/php/musician.php?id=10143>m: Joe Pass</a> contained, in fact, improvisations...]]></content>
<author><name>R.J. DeLuke</name></author>
<updated>2013-03-25T00:20:16-06:00</updated>
</entry>

<entry>
<title>Chris Bigg: I Always See Music in Colors</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=43986" />
<content type="html"><![CDATA[Long considered to be one of the most innovative areas of graphic design, record sleeve art has a history of introducing complex imagery to the mass market. Popular music s, as it is known, is a form of youth culture closely connected to visual culture. Record sleeves have never been only a packaging. In a way, they are objects that reflect the desires of the audiences in a fundamental way...]]></content>
<author><name>Nenad Georgievski</name></author>
<updated>2013-03-19T00:20:17-06:00</updated>
</entry>

<entry>
<title>Jorge Rossy: When Rhythm Becomes Harmony</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44083" />
<content type="html"><![CDATA[Jorge Rossy arrived at Berklee College of Music in 1990 to study trumpet, despite already being a professional drummer. In Boston, the front line musicians--most of them were his teachers at the school--would hire him to play important gigs. Even with this brief anecdote one can get an idea about the Spanish multi-instrumentalist's special charisma and faculties...]]></content>
<author><name>Marta Ramon</name></author>
<updated>2013-03-12T00:20:21-06:00</updated>
</entry>

<entry>
<title>Kenny Wheeler: The Making of "Mirrors"</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44102" />
<content type="html"><![CDATA[It often comes as a surprise to people when they discover that trumpeter/flugelhornist/composer Kenny Wheeler is not British. Well, not British born, for although born in Toronto, Canada, in 1930, Wheeler has spent the last 60 years living in England, which surely makes him as English as Ploughman's Lunch or a pint of bitter. The recording Mirrors (Edition Records, 2013) sees the veteran team up with singer Norma Winstone and the London Vocal Project, a 25-piece choir directed by Pete Churchill, to interpret the poetry of Stevie Smith, Lewis Carroll and W. B. Yeats. The results are nothing short of spectacular...]]></content>
<author><name>Ian Patterson</name></author>
<updated>2013-03-11T00:20:21-06:00</updated>
</entry>

<entry>
<title>Dick Hyman: The Beat Goes On</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44038" />
<content type="html"><![CDATA[Composer, arranger, bandleader, pianist, soloist and accompanist Dick Hyman has already lived several jazz lifetimes, and as he contemplates his 86th birthday in March 2013, his career shows no sign of slowing down.

A New York City native, Hyman served as pianist with a Dixieland band and with <a href=http://www.allaboutjazz.com/php/musician.php?id=11573>m: Lester Young</a> at the December 1949 opening of Birdland. He served as pianist for <a href=http://www.allaboutjazz.com/php/musician.php?id=10115>m: Charlie Parker</a> and <a href=http://www.allaboutjazz.com/php/musician.php?id=7040>m: Dizzy Gillespie</a> when they blew through "Hot House" on network TV in 1952 (the only known surviving video with audio of Parker)...]]></content>
<author><name>Chris M. Slawecki</name></author>
<updated>2013-03-08T00:20:21-06:00</updated>
</entry>

<entry>
<title>Lauren Kinsella: In Between Every Line</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=44027" />
<content type="html"><![CDATA[It may be that the voice is the most difficult instrument to improvise with, judging by the relatively small number of improvising vocalists out there. Jazz singers who scat are common enough, but only the best are able to breathe life into a style that has become rather formulaic over the past century. Lauren Kinsella (the stress lies on the first syllable) is one singer who is boldly carving out her own path as an improvising vocalist. The London-based Irish singer is making a name for herself in improvising circles on both sides of the Irish Sea, and the release of two distinct and highly absorbing CDs in 2012, with more to come in 2013, will no doubt help to spread the name of this highly talented individual. The first of these releases, All This Talk About (WideEar Records, 2012), introduces Kinsella's arresting improvisations in a duo recording with Swiss drummer Alex Huber. Adventurous syllabic and non-syllabic utterances and a heightened rhythmic sensibility are accompanied by Kinsella's more conventional and quite beautifully sung words. Three numbers inspired by poet Ted Hughes' "Thought-Fox" form the backbone of the album--a daring collaborative effort that amply rewards those who look for a bit of edge and innovation in their music...]]></content>
<author><name>Ian Patterson</name></author>
<updated>2013-03-05T00:20:17-06:00</updated>
</entry>

<entry>
<title>David Fiuczynski: In the In Between</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=43979" />
<content type="html"><![CDATA[The most recent compositional premiere by guitarist David Fiucyznski has a title that almost manages to sum up his entire sphere of influence. "Flam! Pan-Asian Microjam for J Dilla and Olivier Messiaen" premiered at Berklee College of Music in 2012 and was inspired by a geographically and temporally enormous range of styles. Fiuczynski describes the piece as a trinity of inspirations with respect to rhythm, harmony and melody...]]></content>
<author><name>Daniel Lehner</name></author>
<updated>2013-03-04T00:20:17-06:00</updated>
</entry>

<entry>
<title>Teofilovic Brothers: Songs Belong to Those Who Sing Them Better</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=43981" />
<content type="html"><![CDATA[The Teofilovic brothers (RadiA a and Ratko) are two of the most popular performers of traditional songs from Serbia, as well as other parts of the Balkans. In their repertoire they always have wonderful traditional songs that time has forgotten, or that are not always widely known or present in other performers' repertoires. Their wide choices and unique approach are best represented on last year's collaboration with the renowned American/Serbian guitarist Miroslav Tadic, titled Vidarica (Nine Winds, 2012)...]]></content>
<author><name>Nenad Georgievski</name></author>
<updated>2013-02-26T00:20:14-06:00</updated>
</entry>

<entry>
<title>Conrad Herwig: There's Nothing Else</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=43977" />
<content type="html"><![CDATA[Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. "Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression--their compositions." Herwig was speaking of saxophonists <a href=http://www.allaboutjazz.com/php/musician.php?id=5851>m: John Coltrane</a>, <a href=http://www.allaboutjazz.com/php/musician.php?id=4301>m: Wayne Shorter</a> and <a href=http://www.allaboutjazz.com/php/musician.php?id=7574>m: Joe Henderson</a>, but the same could be said about Herwig himself. He's one of the foremost jazz trombonists of his generation, but he's also made his mark as a prolific composer and arranger, as well as a bandleader and an educator...]]></content>
<author><name>Bob Kenselaar</name></author>
<updated>2013-02-25T00:20:17-06:00</updated>
</entry>

<entry>
<title>John Daversa: Bursting Out of LA</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=43963" />
<content type="html"><![CDATA[Seen in the hallways at California State University in Northridge, a neighborhood of Los Angeles, where he teaches big band arranging, jazz history and other music courses, John Daversa might be seen with his goatee, and dense, dark and curly hair, parted in the middle, and correctly sense he might be involved in one of the arts programs...]]></content>
<author><name>R.J. DeLuke</name></author>
<updated>2013-02-18T00:20:14-06:00</updated>
</entry>

<entry>
<title>William Ellis: Music On A Chink Of Light</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=37028" />
<content type="html"><![CDATA[[ Editor's Note: "Music On A Chink Of Light" was originally published on August 4, 2010. This encore presentation coincides with William Ellis's new column One LP. ]

Black and white photographs of jazz legends taken by the likes of Herman Leonard, William P. Gottlieb and William Claxton have gained iconic status over the years. Decades on, their photographs of <a href=http://www.allaboutjazz.com/php/musician.php?id=10115>m: Charlie Parker</a>, <a href=http://www.allaboutjazz.com/php/musician.php?id=7127>m: Dexter Gordon</a>, <a href=http://www.allaboutjazz.com/php/musician.php?id=7680>m: Billie Holiday</a>, <a href=http://www.allaboutjazz.com/php/musician.php?id=5851>m: John Coltrane</a>, <a href=http://www.allaboutjazz.com/php/musician.php?id=3578>m: Chet Baker</a> and <a href=http://www.allaboutjazz.com/php/musician.php?id=6144>m: Miles Davis</a> adorn countless walls of jazz aficionados around the world. These photographs may owe their status, at least in part, to the fame of their subjects. Back in '89, as a photographer struggling to build a name for himself, William Ellis knew only too well that for the doors of opportunity to swing wide open for him, he too had to land a big fish...]]></content>
<author><name>Ian Patterson</name></author>
<updated>2013-02-15T00:20:09-06:00</updated>
</entry>

<entry>
<title>Francesca Han: Right Music, Right Time</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=43880" />
<content type="html"><![CDATA[Korea has never been more fashionable, leading the way in technological advances and dictating hair styles, television viewing, eye shape and pop music trends across Asia and beyond. The mindboggling response to singer PSY's song "Gangnam Style," with over a billion hits on You Tube, epitomizes the phenomena of the so-called "Korean Wave." Fewer people, inevitably, are aware of the depth of Korean jazz talent, amply demonstrated on the essential compilation Into the Light--Korean Music III--Traditional Music and Korean Jazz (KAMS, 2010). And whilst Korean jazz may not make US President Obama, UK Prime Minister Cameron or UN Chief Ban Ki-Moon strut their funky stuff as they've all reputedly done to Gangnam Style, it's enjoying vibrant growth as perhaps never before...]]></content>
<author><name>Ian Patterson</name></author>
<updated>2013-02-11T00:20:13-06:00</updated>
</entry>

<entry>
<title>Donny McCaslin: Lightness and Gravity</title>
<link type="text/html" href="http://www.allaboutjazz.com/php/article.php?id=43825" />
<content type="html"><![CDATA[Saxophonist Donny McCaslin seems like a young player, given his energy and inventiveness. But he has been playing jazz for three decades. As a child, he was part of his father's jazz ensemble and a member of his high school jazz band. He led his own bands after moving to New York from his native California, but also did considerable sideman duty. In particular, McCaslin broke into the highest ranks of critical acclaim thanks to his turns with bandleader <a href=http://www.allaboutjazz.com/php/musician.php?id=4122>m: Maria Schneider</a> and trumpeter <a href=http://www.allaboutjazz.com/php/musician.php?id=2811>m: Dave Douglas</a>. Highlights of McCaslin's tenure in these groups include his solos on "BulerA-a, SoleA  y Rumba," from the Schneider's Concert in the Garden (ArtistShare, 2004) and on "Culture Wars," from Douglas' Meaning and Mystery (Greenleaf, 2006). And there are many more...]]></content>
<author><name>Jeff Dayton-Johnson</name></author>
<updated>2013-02-05T00:20:12-06:00</updated>
</entry>

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