How we rate: our writers tend to review music they like within their preferred genres.
The piano triopiano, bass and drumscan seem something of an anachronism in a time when musical artists make use of synthesizers, electronics, laptops and loops to craft their sounds. But scores of pianists still go to the acoustic trio format as one of their primary means of expression. In looking toward jazz veterans, Keith Jarrett
the Swiss pianist has crafted a CD's worth of music that features a continuity of mood and atmosphere, in keeping with the ECM aesthetic, that has much in common with the label's more established piano trio artists, including Tord Gustavsen
: a patience in the unfolding of the tunes; an oft-times dreamy, pastoral mood; European folk music tints; a give-and-take equilibrium instrumentally; and also, with this trio, a sharing of compositional input.
Opening with Moret's "Telepathy," a feeling of whispered secrets pervades with gentle yet insistent repetitive phrases, spoken over a backdrop of a subtle rhythm that gathers momentum and intensity while still remaining steadfast and contained. The Vallon-penned title tune is less chant-likeprettier, and more melodically distinctive. It has a break-of-day mood as it brightens, then shifts into a twilight groove near its end, with Vallon caressing the piano keys with the lightest touch, while Roher's "Polygonia" has a spare, midnight mood, a music for things unseen but somehow sensed in the dark.
Vallon's "Eyjafjallajokull" is an ode to Iceland's 2010 volcanic event, an eerie, subterranean soundscape full of brooding peril that seems at timesthough it is acoustic, with a deep rumble then a shrill and oddly metallic whine of Moret's basslike an electronically-sculpted sound.
Rruga is an exceptional ECM debut from the Colin Vallon Trio, a piano trio with a timeless sound.