Weasel Walter Quartet: Revolt Music

It's a whirlwind approach, featuring avant-garde guitar master Henry Kaiser's metal shredding and sinewy upper register lines on "The Need To Revolt." Then, on "Revolting Music," alto saxophonist Josh Allen's plaintive cries nicely complement Walter's over-the-top asymmetrical pulses, who serves as the primary instigator throughout.

Walter's inventive polyrhythmic solo spot, during the aptly titled "Drum Solo," is a tour de force. Here, the artist performs at a rather maniacal pace, which includes his use of small percussion instruments, blitzing tom-tom patterns and incredibly fast bass-drum footwork. On various tracks two bassists provide a bottom-heavy and limber foundation for the soloists' free-flight. Even hardcore free jazz aficionados might find themselves somewhat aghast by the sheer power generated during the entire program. At the very least, Walter and associates could probably provide backup for your local energy company. Not for the feint of heart.

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