CD/LP/Track Review

Charles Earland: Black Drops (2002)

  • 245
By
DEREK TAYLOR,

Derek Taylor

CD/DVD Reviewer - Since 1998

Contrary to occasionally voiced queries, Derek is not the Beatles' former publicist.

505 articles published | Recent:

Published: December 1, 2002
Charles Earland: Black Drops

“The Mighty Burner” isn’t the kind of moniker bestowed on just any man. Charles Earland earned it by cultivating one of the grittiest and greasiest organ attacks of the early Seventies. His skills behind the B-3 are in full effect on this smoldering slab of fusion-laced funk from '70. Regular sidemen like Pruden and Jones take their place beside surprise reed wild card Jimmy Heath in the horn frontline and dig into an eclectic set of standards from the jazz, pop and obligatory funk spheres. On the opening flame out foray through Sly Stone’s “Sing a Simple Song,” rhythmic suspensions fuel tight interplay between Parker’s chicken scratch fretwork and the leader’s oily lubrication of the melody. Turner sounds slightly possessed behind his kit, reeling off the backbeats and rising press rolls with forceful swinging sticks. Grunts and shouts sound above the grooving din.

The ballad “Don’t Say Goodbye” bleeds off much of the intensity, but it retains the underlying funk thanks chiefly to Turner’s fluid beats. Parker’s ensuing Spanish-inflected solo serves as centerpiece, and it’s a statement that references more than a little early Santana in its fruition. Trane’s “Lazy Bird” offers a different tack and the band devours the hard bop staple in a manner faithful to the composer’s original reading on Blue Train. Heath is the center of attention throughout a melodically charged solo that sails above Earland’s fat comping. Jones brassy phrases follow suit and offer a crisp contrast. Funk returns at full muster on the Earland original “Letha” that sounds at once anthemic and groove-suffused. Counterpoint is king on this cut and the quick overlays and interplay are one of the most satisfying aspects of the entire album. Overall the feeling is more of a live concert than a studio date, testament to both Earland’s energy and his ability at inspiring his men to turn things up a notch. Acid jazz antiquarians are strongly advised to seek this album out.

Fantasy on the web: http://www.fantasyjazz.com

Track Listing: Sing a Simple Song/ Don

Personnel: Charles Earland- organ; Virgil Jones- trumpet; Jimmy Heath- tenor & soprano saxophones; Clayton Pruden- trombone; Maynard Parker- guitar; Jimmy Turner- drums. Recorded: June 1, 1970, Englewood Cliffs, NJ.

Record Label: Prestige Records | Style: Straight-ahead/Mainstream

Be the first to post a comment on Charles Earland's Black Drops.

Signup & post a comment

Artist Name

Album Title

Record Label

Author of Review

Contest Giveaways

Local Calendar


Date Title/Musician Venue Location
Feb 09 New Tricks Garage Restaurant & Cafe New York, NY
Feb 09 Ekah Kim Tutuma Social Club New York, NY
Feb 09 Michael Garin and Mardie Millit Aza Lounge (New York, NY) New York, NY
Feb 09 Blaise Siwula*Dom Minasi Duo 125th Street Library New York, NY
Feb 09 Blaise Siwula*Dom Minasi Duo 125th Street Library New York, NY
Feb 09 Webster Hall Ladies Night Thursdays New York, NY
Feb 09 Ted Kooshian's Standard Orbit Quartet Somethin' Jazz Club (formerly "Miles Cafe") New York, NY
Feb 09 Vocalist Lisa Nobumoto with her New York Jazz Quartet! Piano/Bass/Drums/Trumpet Birdland New York, NY
Feb 09 Benny Golson in New York on 02/09/12 Jazz Standard New York, NY
Feb 09 Roy Hargrove Big Band Blue Note: New York New York, NY
Feb 10 Chilcano Tutuma Social Club New York, NY
Feb 10 Gabriel Alegria Afro-Peruvian Sextet Tutuma Social Club New York, NY