Quantcast
NEWS |   Sign In   |   I'm New Here
Return to home page





Shambhala
Susan Wylde
First Steps
Min Rager
Moods
Michaela Rabitsch & Robert Pawlik Quartet
Go and Find
Leanne Weatherly
In Between Moods
Tony Foster
This Heart of Mine
Pamela Hines




GR8 - In Stock Now!
Grado Ear Buds






Pete McCann
Info | Enter
Gretchen Parlato
Info | Enter
Henry Threadgill
Info | Enter
Keith Jarrett
Info | Enter

Soul Machine
Fima Ephron | Tzadik


By Glenn Astarita
Comments        

Bassist Fima Ephron is well-known for his affiliation with many of the musicians who comprise New York City's fertile and generally investigative Downtown Scene. Ephron's participation with the excellent band Lost Tribe, amid recent collaborations with electric guitar hero David "Fuze" Fiuczynski, signifies only a few of his endeavors besides enjoying first call status as a session musician. With his debut release, the artist enlists support from his Lost Tribe band-mates, saxophonist David Binney and guitarist Adam Rogers. However, keyboardist Edward Simon's breezy yet sometimes blazing Fender Rhodes work actuates a 70's style jazz-rock feel, whereas drummer Jim Black and the leader lay down the often-beefy rhythms.

Simply put, Ephron doesn't smack his electric bass into submission. He doesn't base his approach upon the pursuance of flashy 16th notes or string slapping escapades, although he can soar to the red zone when required. Essentially, the bassist possesses a lustrous tone, further enhanced by his pumping notes and ability to utilize all registers as a vehicle for harmonization or accentuation. On the piece titled "Hasidic Folk Song," Ephron renders punctual lines atop Jim Black's burgeoning pulse and David Binney's thought-provoking conveyance of a Jewish folk melody.

The musicians intertwine odd-metered backbeats with a distinct sense of thematic expansion, while Rogers and Binney generate much excitement via their blistering crescendos and intricately developed harmonic variations. With "A Desert Storm," the band ventures into a slightly tongue-in-cheek psychedelic space vibe, thanks to David Torn's trippy EFX-based treatments and an ostinato synth groove atop the rhythm sections' surging undercurrents. Thus, Soul Machine is all about the gleeful coexistence of Jewish folk music and zesty modern jazz type interplay, while the ensemble augments its palate with craftily arranged jazz-fusion motifs. Ephron's wittily concocted compositions also feature characteristics that parallel the vim and vigor of an artist who has quite a bit to say. Recommended!


Track listing: Yemenite; Hasidic Folk Song; Pyramid; Oyfin; Yashkar; Moses; A Desert Storm; Scroll; Deadly Play Of Numbers; Noir.

Personnel: Fima Ephron: bass; Edward Simon: keys; Jim Black: drums; Dave Binney: saxophone, clarinet (6); Adam Rogers: guitar. Special Guests: David Torn: oud, samples, voice (6); Buba Gisa Majerowitz: voice on (10); Mike Ephron: voice (4); Greg Wall: clarinet (6).

Style: Modern Jazz
Published: December 01, 2001


Be the first to post a comment on:
Fima Ephron's Soul Machine

Signup & post a comment!






More articles by Glenn Astarita

Love Kills
The Long March
Avanti!
In Search Of A Standard
Hot Dog




Recent CD Reviews
Warne Marsh and Lee Konitz - Two Not One Warne Marsh and Lee Konitz
Two Not One
Henry Darragh - Tell Her For Me Henry Darragh
Tell Her For Me
Jeb Patton - New Strides Jeb Patton
New Strides
Michaela Rae - Blues with a Backbone Michaela Rae
Blues with a Backbone
The OtherTet - The OtherTet The OtherTet
The OtherTet
George Garzone - Among Friends George Garzone
Among Friends

CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 




 
(23)




The New Five

New York Hotel
From Introducing The New Five

More | Recent | Top










.. Privacy Policy | AAJ Supports: Lens Lady All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved. Advertise | Contact Us