Moss 'Comes Silk (Avant-Shamanistic Trance Jazz)

“Abstract” is perhaps the most apt word to describe Moss 'Comes Silk. While the subtitle suggests some sort of repetitious, ostinato, groove-laden material best absorbed in an intoxicated state, the reality is exactly the opposite. The emotional range on Moss 'Comes Silk spans whispering contemplation to screeching explosion, usually simmering somewhere just short of overt tension. Saxophone, trumpet, or string-based instrumental leads serve as a foreground to a dense web of multiphonic accompaniment. The musicians use extended techniques to convert melody into percussion (and vice versa), often transforming open tones into voice-like cries. While the overall effect can at times be overwhelming, the best way to overcome this hurdle is to suspend one's expectations. Listeners who prefer concrete order to overt abstraction should look elsewhere—but those curious about experimental integration of 'world music' instrumentation with free jazz might just find this disc a rewarding experience.

Track listing: Brilliant Coral; Tepees and Dragons; Fancy Dancing Jaguar; Polyphonic Hymn; Eskimos on the Moon; Bayou Eskimos; Real Southern Hominy; Saffron and Jasmine; Noble Guardians; Ol'Spi'Ritual; Sentient Beings; Moss 'Comes Silk.

Personnel: Henry Kuntz: tenor saxophone, Chinese musette, bamboo flutes, violins, Javanese gamelan, percussion; Ben Lindgren: bass, Javanese gamelan; Brian Godchaux: viola, Balinese gamelan, percussion; Esten Lindgren: trombone, trumpets, voice, guitar, ukelele, percussion; John Kuntz: guitar, mandolin, ukelele, Javanese gamelan, wind-up toy xylophone, percussion.