Quantcast
NEWS: Clifford Brown Symposium: "Brownie Speaks" in Philadelphia, October 30... STORES: CDs/DVDs/Vinyl/Sleeves | Downloads | Posters | Art
jazz
HOME NEWS REVIEWS ARTICLES MUSICIANS PHOTOS FORUMS
  Login   |   MY AAJ Signup  
Intro Site Map Shows Free Daily MP3s Videos Upcoming Releases Guides Editorial Calendar Contests Help Wanted  
Advanced
Contact Us   |   Advertise   |   For Contributors   |   For Musicians





Come With Me
Allison Adams Tucker
Tough Guys
The Generations Band
Fire Down Below
The Steve Elmer Trio
Summer Samba
Irene and Her Latin Jazz Band
Lifelines
Bruno Raberg with Chris Cheek and Ben Monder
Second Time, Improvisations Cycle
Claude Marc Bourget
Advertise Here




Jazz Excursion Radio



"Willow Weep for Me"
Ernie Watts
The Long Road Home

Listen Now






Push AAJ Content
AAJ Live | RSS | Widsets

Mahavishnu Project- Live Bootleg

Mahavishnu Project | Aggregate Music (2001)

By Walter Kolosky Discuss        

Over thirty years ago, John McLaughlin and his Mahavishnu Orchestra shocked the jazz and rock music world with their highly volatile electric fusion explosions. Now this music is being reprised by The Mahavishnu Project, a tribute band which recently released a live album. Recorded on tour directly from the house soundboards, Live Bootleg offers a raw, vigorous, and heartfelt homage to the true supergroup of jazz-rock fusion.

The MP consists of superb players who are all well established on the jazz and fusion scenes: Gregg Bendian on drums, Pete McCann on guitar, Steve Hunt on keyboards, Stephan Crump on bass and Todd Reynolds on violin. (Rob Thomas has recently replaced Reynolds in the group.) Bendian leads the band through music from the first three pivotal Mahavishnu Orchestra Albums: The Inner Mounting Flame , Birds of Fire and Between Nothingness and Eternity.

This music is very difficult to play. Integral features of these amazing McLaughlin compositions include odd time signatures, frequent stops and starts, and incomprehensible speed mixed with touching slow movements. The tunes as performed by the MP have all the fresh thrills, excitement and pathos that they did in the very beginning. Those familiar with the music will especially appreciate MP's takes on "Trilogy" and "Birds of Fire." And those not yet familiar will want to hear more.

The sheer virtuosity of the original members of the MO (guitarist McLaughlin, drummer Billy Cobham, bassist Rick Laird, keyboard player Jan Hammer, and violinist Jerry Goodman) could very well have humbled any band which attempted to reinterpret their sound. In other words, it takes a brave bunch of musicians to tackle this stuff. This is especially so because the fans of the original MO, who will constitute a lot of the audience for this music, are a very discerning and demanding lot. But this is where the MP has made a very wise decision.

The Mahavishnu Project honors the music by highlighting the dramatic moments associated with the original pieces, while adding their own skilled improvisational parts—rather than attempting to copy the music note for note. In fact, while the original band tended to highlight each player's skills by upping the sound in the mix as they soloed, the MP seems to have adopted a more integrated group sound approach. (This is either a brilliant idea, or it is just too difficult to find the right mix!) At any rate, this integration gives the band a modern sound that should appeal to the younger fans discovering this music for the very first time through the MP. While it appears that the band members find time to play this music only when their main gigs allow, I would imagine they would make quite a successful jam band on the college circuit, filling much the same niche as Medeski, Martin and Wood. In fact, a tour featuring those two bands could be quite a show. Tales of the sheer joy and energy of the MP playing this "new" 30 year-old music would spread like wildfire through the college communities. (After all, you cannot escape the influence that the original MO has had on recent jam bands, including Phish.)

In the liner notes, Bendian writes about his introduction to John McLaughlin and the MO, and his fascination with the tune "Sanctuary." Inexplicably, this tune is left off the album! Maybe it can be included next time on a recording which features some music from Visions of the Emerald Beyond , Apocalypse and even Inner Worlds.


Track listing: The Dance of Maya; Celestial Terrestrial Commuters; Trilogy: Dawn/Open Country Jam; Birds of Fire; Resolution/The Noonward Race; Dream: One Word

Personnel: Gregg Bendian: drums; Pete McCann: guitar; Steve Hunt: keyboards; Todd Reynolds: violin; Stephan Crump: bass.

Published: November 22, 2002
Style: Fusion/Progressive Rock


Discuss         Add to Google  




More Articles by Walter Kolosky
You Decide
Billy Cobham: Rhythm Is A Sonic Mirror
Joe DeRenzo: On the Comeback
Two Degrees of Separation: Mitchel Forman, Stu Goldberg and Gary...
Billy Cobham/Colin Towns/hr-Bigband: Meeting Of The Spirits: A...
Who's Chuck Fimp?
Deep Down

Power, Passion and Beauty - The Story of the Legendary Mahavishnu Orchestra has been published by Abstract Logix Books. More about Walter...



More Recent Reviews
Carl Saunders - Be Bop Big Band Carl Saunders
Be Bop Big Band
Adam Lane Quartet - Fo(u)r Being(s) Adam Lane Quartet
Fo(u)r Being(s)
John McLaughlin - Where Fortune Smiles John McLaughlin
Where Fortune Smiles
Mahavishnu Orchestra - Visions of the Emerald Beyond Mahavishnu Orchestra
Visions of the Emerald Beyond
John McLaughlin Trio - Live at the Royal Festival Hall John McLaughlin Trio
Live at the Royal Festival Hall
Mahavishnu Orchestra - The Lost Trident Sessions Mahavishnu Orchestra
The Lost Trident Sessions


CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 
Most Read: CD Reviews
Last 30 Days | All Time
Most Read: Articles
Last 30 Days | All Time


 
More CD Reviews



Joel Harrison
The Wheel: Movement 5 (Live)
From The Wheel
8:42

More | Recent | Top




Michiel Braam
New CD: Bik Bent Braam - Extremen









Make a donation and support All About Jazz
Contribute to the continued operation of
jazz's most important online resource.
  Privacy Policy | Dedicated Servers All material copyright © 2008 All About Jazz and/or contributing writers/visual artists. All rights reserved.