Quantcast
NEWS: Musicians: Build Your Network at AAJ STORES: CDs/DVDs/Vinyl/Sleeves | Downloads | Posters | Art
jazz
HOME NEWS REVIEWS ARTICLES MUSICIANS PHOTOS FORUMS
  Login   |   MY AAJ Signup  
Intro Site Map Shows Free Daily MP3s Videos Upcoming Releases Guides Editorial Calendar Contests Help Wanted  
Advanced
Contact Us   |   Advertise   |   For Contributors   |   For Musicians





Raindrops
Duane Andrews
Second Time, Improvisations Cycle
Claude Marc Bourget
Lifelines
Bruno Raberg with Chris Cheek and Ben Monder
Summer Samba
Irene and Her Latin Jazz Band
Cover Up!
George Kahn
Tough Guys
The Generations Band with Jimmy Cobb and Eric Alexander
Advertise Here




Jazz Excursion Radio



"It Ain't Necessarily So"
Susannah McCorkle
Someone to Watch over Me: Songs of George Gershwin

Listen Now






Push AAJ Content
AAJ Live | RSS | Widsets

The Heart of Things
John McLaughlin | Verve Music Group (1997)



By Walter Kolosky Discuss        

The Heart of Things allows John McLaughlin to surround himself with some young monsters. A strong line-up on this 1997 record includes McLaughlin alumni Jim Beard on keyboards and Dennis Chambers on drums, as well as electric bassist Matthew Garrison and sax player Gary Thomas. The youthful newcomers, Garrison and Thomas, front bands of their own and have their own musical ideas. They have integrated some of these concepts, offering solid support for The Heart of Things. Garrison supplies a strong foundation without being too busy and Thomas has that smooth, strong control which either indicates he is a consummate musician or that he doesn't take risks. The jury is still out on that one. Nonetheless, he plays a strong role in this music.

McLaughlin's writing and mixing of the album clearly reflect his desire for an ensemble feel. Solos appear here and there but none of them are extended. Some listeners may not care for this. Chambers' drumming, which has always had a tendency to overwhelm, is much more integrated as part of the whole. The drummer's force has become an issue in several of John's latest recordings and especially in concert. Chambers shows much more control on The Heart of Things and exhibits moments of subtlety.

McLaughlin's guitar tone has more of a bite than in many previous outings. This is very welcome. Still, despite his beautiful playing on this album, a more limited use of his ring-modulator would have been beneficial.

Listeners familiar with Jim Beard's appearances with Mahavishnu IV will no doubt recognize his layered synthesizer approach and appreciate it for what it is—a textural background for others to soar over. Beard does make a strong appearance on piano, and he and Gary Thomas open several tunes with themes that can best be described as "Spyro Gyra on Speed".

The opening tune starts rather lazily but the album as a whole has a "take no prisoners\" attitude. It is clear fusion. The best tune on the album , "Fallen Angels", is a sullen, slow dirge of joy and an ode to Coltrane. He's always being accused of just being a speed demon, but some of McLaughlin's best compositions have been slow pieces. Tunes in this vein that require listening are "Mila Repa" from Que Alegria and "The Translators" from Music Spoken Here.

"Mr. DC", the Dennis Chambers showpiece, is an excuse for a duel in concert. It is much more restrained on the album, but does feature quotes from McLaughlin's classic "The Dance of Maya."

On another highlight, "Healing Hands," McLaughlin brings out his old midi-guitar and lays down a big fat statement. This tune is also a direct descendant, if not a bastard child, of Belo Horizonte's "One Melody".

The Heart of Things ends on a solo acoustic note as McLaughlin revisits "When Love is Far Away" from his album Tokyo Live. Though the tune was unimpressive on that album, its treatment here is much more fulfilling.

The Heart of Things is the most exciting band John has had in some time and bodes well for the future of his music. This album catches the band at a moment in time but does not capture its spark in live performance.

Related link: John McLaughlin Reviews @ All About Jazz

John McLaughlin at All About Jazz.
Visit John McLaughlin on the web.


Track listing: Acid Jazz; Seven Sisters; Mr. D.C.; Fallen Angels; Healing Hands; When Love is Far Away

Personnel: John McLaughlin- guitars; Dennis Chambers; drums; Matthew Garrison- bass; Gary Thomas- saxophones, flute; Jim Beard- synthesizers and piano

Published: November 18, 2002
Style: Fusion/Progressive Rock


Discuss         Add to Google  




More Articles by Walter Kolosky
You Decide
Billy Cobham: Rhythm Is A Sonic Mirror
Joe DeRenzo: On the Comeback
Two Degrees of Separation: Mitchel Forman, Stu Goldberg and Gary...
Billy Cobham/Colin Towns/hr-Bigband: Meeting Of The Spirits: A...
Who's Chuck Fimp?
Deep Down

Power, Passion and Beauty - The Story of the Legendary Mahavishnu Orchestra has been published by Abstract Logix Books. More about Walter...



More Recent Reviews
Rachel Z Trio - Moon at the Window Rachel Z Trio
Moon at the Window
John McLaughlin and Shakti - A Handful of Beauty John McLaughlin and Shakti
A Handful of Beauty
John McLaughlin, Al DiMeola, Paco DeLucia - The Guitar Trio John McLaughlin, Al DiMeola, Paco DeLucia
The Guitar Trio
John McLaughlin, Al DiMeola, Paco DeLucia - Friday Night in San Francisco John McLaughlin, Al DiMeola, Paco DeLucia
Friday Night in San Francisco
Los Blues - San Antonio Bound Los Blues
San Antonio Bound
John McLaughlin - Electric Guitarist John McLaughlin
Electric Guitarist


CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 

Most Read: CD Reviews
Last 30 Days | All Time
Most Read: Articles
Last 30 Days | All Time

Upcoming events for John McLaughlin:



 

More CD Reviews



Claude Marc Bourget
Secret Ice
From Second Time, Improvisations Cycle
04:25

More | Recent | Top




Alphonse Mouzon
New CD: Jazz In Bel-Air









Make a donation and support All About Jazz
Contribute to the continued operation of
jazz's most important online resource.
  Privacy Policy | Dedicated Servers All material copyright © 2008 All About Jazz and/or contributing writers/visual artists. All rights reserved.