The current standard for piano trio music was largely set in the '60s. Recordings by the Bill Evans Trio and the
Wynton Kelly Trio, for example, established basic paradigms that have persisted until today. Today's popular
trios led by young pianists such as Brad Mehldau and Jacky Terrason, for example, derive much of their style
from this influential period. Formations, a trio outing led by pianist Larry Bluth, falls in much the
same category. It builds off jazz standards, either directly or indirectly—about half the tunes on the record are
standards, and the rest are originals derived from the chord changes of other standards. This is tight, swinging
stuff: the group has the cohesion and maturity to maintain forward motion during quiet moments as well as
times of passion. Formations combines the excitement of live improvisation with a surprising level of
precision. Pianist Bluth's playing conveys an articulate, quick-minded eagerness. Drummer Bill Chattin, who
mostly anchors a rock-solid swing, still manages to interject percolating snare rhythms on demand. Bassist Don
Messina is perhaps the least interesting member of the trio, but his unassuming style plays a central stabilizing
role.
The primary fault of this recording is that it fails to effectively distinguish itself from the vast sea of
post-'60s traditional trio music. Stylistically, Formations resembles a lot of top-notch straightahead
trio music. Each member of the group certainly has a distinctive voice, but the unit as a whole mostly treads
down a well-worn path. While there are plenty of listeners who celebrate and cherish this kind of approach, my
personal preference is for the music which steps out and breaks new ground.
Track listing: A Rhyme; There Will Never Be Another You; She's Funny That Way; I Never Knew; All of Me; Moonlight in
Vermont; Formations; Shoals; Everything Happens To Me; For Sal; On Time.
Personnel: Larry Bluth, piano; Don Messina, bass; Bill Chattin, drums.
Style: Mainstream/Bop/Hard Bop/Cool
Published: October 01, 2000
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The current standard for piano trio music was largely set in the '60s. Recordings by the Bill Evans Trio and the
Wynton Kelly Trio, for example, established basic paradigms that have persisted until today. Today's popular
trios led by young pianists such as Brad Mehldau and Jacky Terrason, for example, derive much of their style
from this influential period.
