Quantcast
NEWS: Four Free MP3 Downloads from Resonance Records: Gene Harris, Andreas Oberg,... STORES: CDs/DVDs/Vinyl/Sleeves | Downloads | Posters | Art
jazz
HOME NEWS REVIEWS ARTICLES MUSICIANS PHOTOS FORUMS
  Login   |   MY AAJ Signup  
Intro Site Map Free Daily MP3s Videos Upcoming Releases Guides Editorial Calendar Help Wanted  
Advanced
Contact Us   |   Advertise   |   For Contributors   |   For Musicians



Calendar - Venues
Teachers - Musicians



Jazz Excursion Radio



"Afro Blue"
Rene Marie
How Can I Keep from Singing?

Listen Now






Featured Visual Artist
Scott Friedlander



Push AAJ Content
AAJ Live | RSS | Widsets

Right Now

Martin Koller's Third Movement | Traumton Records

Discuss  

Austrian guitarist/composer/producer Martin Koller combines techno/electronica and fusion with his band Martin Koller's Third Movement on their third release Right Now.

Unlike some electronic prog/fusion that hardly retains any semblance of jazz or fusion, Koller's work remains firmly rooted in a jazz/fusion feel below the noisy sonic surface. Right Now sounds like a cross between the hip-hop/ avant/ fusion of Vernon Reid's Mistaken Identity and the aggro-metal/ noise/ fusion of Meshuggah guitarist Frederik Thordendal's Special Defects. Some tracks recall the recent King Crimson Projekcts in the jazz/prog sound of live guitars and bass layered over electronic drums and sounds, yet with a stronger fusion influence in Third Movement's writing and playing.

Most of the songs contain melodic heads in the traditional jazz sense, yet the majority of the record is lead playing, either improvised or composed, over background figures. Koller plays with an aggressive interpretation of the Allan Holdsworth-type smooth feel and fat sound, combined with seamlessly injected modern electronic touches like the pitch shift effect of his Whammy pedal. This pedal allows him to electronically bend guitar notes above the physical range of the instrument. The effortless and tasteful integration of this electronic device in his lead playing epitomizes the integration of electronica into his fusion composing, and he succeeds at both.

Right Now features many different sonic timbres, including saxophone, an orchestral string section (presumably played on Koller's guitar synth), grainy low rhythm guitars, fretless and electronic bass, synth tones, and many different types of electronic drums and percussion. The layered sax and clarinet of Gerald Preinfalk add twinges of Masada-esque acoustic woodwind dissonance on the intro of “trippin',” a clever sonic contrast to the electronic dissonance.

Although the electronic drums lack the feel of an actual drummer, the wide range of sounds allows Koller to match drum sounds to specific songs in a manner that a regular drummer would not be able to achieve. However, the innate characteristics of the drum and bass electronic style of looped static beats preclude almost all rhythmic subtlety and expansion. Different textured sections provide contrast, but within each section or riff there is very little rhythmic development.

Right Now 's combination of fusion and electronica may not appeal to unadventurous listeners, but Koller's music effectively fuses these jazz and rock elements into a unique style. The intrinsic limits of his electronic palette preclude certain traditional drum touches, but Koller's exuberant originality compensates by taking his music in a new direction.

Artist Info: http://www.traumton.de/third_movement.html


Track listing: 1.. right now
2.. hope
3.. what
4.. subharmonic dawn (liquid mix)
5.. trippin'
6.. # 13 haviland street
7.. right now (core remix)

Personnel: Martin Koller: electric and acoustic guitars, guitar synth, fretless bass, drum programming, electronix
Gerald Preinfalk: alto-, soprano-, sopranino- & baritone sax, bass clarinet, Eb clarinet

Style: Fusion/Progressive Rock | Published: October 01, 2000


  Discuss   Add to Google  


More Articles by Scott Andrews
Kozo
Elevation
Casuality
Johnny Speaks
Moving Images
Vitamin B-3
Power Trio: Live in Chicago

More Recent Reviews
Priam - 3 distances / irregular signs Priam
3 distances / irregular signs
David Kahn Trio - Just In Time David Kahn Trio
Just In Time
John Bruschini - As You Were John Bruschini
As You Were
Supergenerous - Supergenerous Supergenerous
Supergenerous
Acoustic Alchemy - The Beautiful Game Acoustic Alchemy
The Beautiful Game
Matthew Shipp Trio - Prism Matthew Shipp Trio
Prism



CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 
Most Read: CD Reviews
Last 30 Days | All Time
Most Read: Articles
Last 30 Days | All Time


 
More CD Reviews




Donna Greene & The Roadhouse Daddies
Comes Love

More | Recent | Top




Rob Mullins
New CD: STORYTELLER









  Privacy Policy | Dedicated Servers All material copyright © 2008 All About Jazz and/or contributing writers/visual artists. All rights reserved.