The term "electronica" wasn’t in use back in the day of "Rockit," but surely the Herbie Hancock/Bill Laswell team laid a lot of the groundwork for the genre’s emergence. By now, of course, dance music and DJ culture have had a considerable impact on the jazz scene. With Future2Future, Herbie joins the fray, reuniting with Laswell to make his most powerful and relevant music in years.

You can trace this music’s creative lineage back all the way to Mwandishi. Although drum-n-bass and turntablist notions predominate, there’s a strong acoustic presence as well — far stronger than at any point during Herbie’s Future Shock period. He plays Rhodes throughout much of the album, and is joined frequently by Wayne Shorter on tenor and soprano, Charnett Moffett on bass, and Jack DeJohnette on drums. Remarkably, these leading lights of jazz share space with leading lights of electronica, such as Carl Craig, DJ Rob Swift, A Guy Called Gerald, and Imani Uzuri. Thanks to Laswell’s seamless production, it all hangs together. Two high-profile collaborations stand out: "The Essence," featuring Chaka Khan on vocals, and "Tony Williams," featuring the late drummer. (Sampled? Live, pre-1997? We’re not told in the advance press materials.)