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In Blue
Karrin Allyson | Concord Music Group (2002)


By Jim Santella Discuss        

Karrin Allyson handles every style of singing so well; it’s no wonder she’s at home with the blues. A crystal clear artist with a unique vocal timbre, she’s always been right on the button with respect to her goals. This, Allyson’s eighth album in ten years, comes as yet another reminder of her consistency. She scat sings, interprets swinging lyrics, and dedicates each performance to communicating with her audience. One listen and we’re hooked. Audio samples are available at Allyson’s web site. The 5/4 meter of “Long as You’re Living” brings out a foot-tappin’ formula for fun. “West Coast Blues” appears to be the session’s high point, as singer, guitarist and pianist groove to the familiar story. Everyone can relate. A personal favorite shows up in the form of Leonard Feather’s “Evil Gal Blues.” Walking bass and ride cymbal provide a solid foundation for Allyson’s blues shout. As with most intelligent psychological ploys of personal interaction, she’s careful to never raise her voice. And we still hear every word clearly. The music retains its poise, even in the midst of lyrics about “what I’m gonna do with you” and “what I want you to do for me.” Karrin Allyson knows the blues.

Karrin Allyson at All About Jazz.
Visit Karrin Allyson on the web.


Track listing: Moanin’; Everybody’s Cryin’ Mercy; Long as You’re Living; The Meaning of the Blues; My Bluebird; Hum Drum Blues; How Long Has This Been Going On?; West Coast Blues; Evil Gal Blues; Blue Motel Room; Bye Bye Country Boy; Love Me Like a Man; Angel Eyes.

Personnel: Karrin Allyson- vocals; Danny Embrey- guitar; Mulgrew Miller- piano; Fender Rhodes on “West Coast Blues” and “Bye Bye Country Boy;” Peter Washington- bass; Lewis Nash- drums; Steve Wilson- alto saxophone on “Moanin’,” soprano saxophone on “The Meaning of the Blues” and “Angel Eyes.”

Style: Mainstream/Bop/Hard Bop/Cool
Published: August 01, 2002


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Articles by Jim Santella
Monk Competition 2008: Saxophones
Jazz & Blues: A Tribute to B.B. King
Persistence
Energy Fields
Cleome: Live Takes
Soliloque
Conversations With My Family
Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues, The L.A. Jazz Scene, and Cadence Magazine. More about Jim...



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