Quantcast
NEWS |   Sign In   |   I'm New Here
Return to home page





Moods
Michaela Rabitsch & Robert Pawlik Quartet
Shambhala
Susan Wylde
In Between Moods
Tony Foster
Go and Find
Leanne Weatherly
This Heart of Mine
Pamela Hines
First Steps
Min Rager








Pete McCann
Info | Enter
Gretchen Parlato
Info | Enter
Henry Threadgill
Info | Enter
Keith Jarrett
Info | Enter

Altoicity
Bruce Williams | Savant Records


By David A. Orthmann
Comments        

The music on Bruce Williams’ Altoicity covers a variety of jazz styles from the past 60 years. Along with his front line partner, trumpeter Russell Gunn, and the formidable support of pianist Marc Cary, bassist Gerald Cannon, and drummer Cecil Brooks III (who doubles as the disc’s producer), the alto saxophonist displays his fluency in frameworks ranging from bebop to free jazz. Williams plays with a maturity that enables him to put his personal stamp on every track.

A hip, knowing version of Miles Davis’ classic, “Half Nelson,” is taken at a tempo just slow enough that one can savor every note of the melody. Brooks displays some intricate brushwork, Williams’ playing recalls Bird at his most soulful, and Gunn constructs a very convincing solo in only one chorus. Williams demonstrates a mastery of the ballad form on two cuts, his own composition “Nora,” and Ellington’s “Sophisticated Lady,” which is done in a duet with Cary.

The harder side of the bop idiom is represented by Williams’ tunes “Downsizing,” and “Three Crows On Guard,” in which Brooks kicks up a storm behind the altoist’s artful mixture of short and long phrases. Throughout both of these cuts, I wondered what the leader and Gunn would sound like without the restraints of a pianist—even one as capable as Cary. The answer is in “Elijah Blue” (dedicated to Williams’ son), where the band is influenced by the early sixties, pianoless sound of the Ornette Coleman Quartet. The improvisation begins with the two horns playfully trading overlapping phrases, which evolves into pithy turns by Gunn, Williams, and Cannon. Brooks’ hard-driving rhythms are precise and uncluttered.

The disc ends with “Empty Hearts,” a brief, devotional-sounding, free jazz anthem reminiscent of the later work of John Coltrane. Here too, Williams sounds completely in his element. With this and the rest of Altoicity in mind, I look forward to hearing the future chapters of his musical development.

Track List:Tangerine; You Are So Beautiful; Nora; Downsizing; East of the Sun; Sophisticated Lady; Three Crows On Guard; Half Nelson; Pot Liquor; Elijah Blue; Empty Hearts.

Personnel: Bruce Williams

Style: Straightahead/Mainstream/Bop/Hard Bop/Cool
Published: July 01, 2000


Be the first to post a comment on:
Bruce Williams' Altoicity

Signup & post a comment!






More articles by David A. Orthmann

Happy Hour
Repercussion
Nick Hempton Band
New Tricks at Cecil's Jazz Club
Mutual Admiration Society 2




Recent CD Reviews
George Garzone - Among Friends George Garzone
Among Friends
Charles Tyler - Charles Tyler Ensemble Charles Tyler
Charles Tyler Ensemble
Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen - Die Enttausschung Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen
Die Enttausschung
Fay Victor Ensemble - The Freesong Suite Fay Victor Ensemble
The Freesong Suite
Jon Irabagon with Mike Pride - I Don't Hear Nothin' But the Blues Jon Irabagon with Mike Pride
I Don't Hear Nothin' But the Blues
Hank Jones / Oliver Jones - Pleased To Meet You Hank Jones / Oliver Jones
Pleased To Meet You

CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 




 
(35)













.. Privacy Policy | AAJ Supports: Lens Lady All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved. Advertise | Contact Us