Many consider the ’01 honoree of the Heineken Jazzfest (HJ) as the most complete or even the best piano player in the world. Such titles commonly fall off the mark, albeit Jesús “Chucho” Valdés , who is most definitely part of the most awesome family trio of pianists of its kind, could very well be considered an unabashed virtuoso of the instrument and a deciding figure in the development of the instrument within and beyond jazz frontiers.
Valdés begins the recording with his elaboration upon “Comparsa,” a Classic composition by Ernesto Lecuona . This is a nice documentation of some of the most contemporary lines of inquiry Valdés is currently affianced into. Such forays within small groups give further prominence to an already dominant musical figure. The Chucho Valdés Quartet does some remarkable things in this cut.
Strunz and Farah go into South American territories with Spain strewn within. Elegantly peppy and likeable example of a group with increasing appeal within some Hispanic markets. The guitar and violin strings come across each other lean and mean.
Tania Maria and her Viva Brazil Quartet invite the listener to “Come With Me.” Percussive and funky, nasty and classy, popular, romantic, engaging, with high marks among prancing crowds.
The festival’s honoree and a surreptitious version of Irakere take “Giant Steps” into its own level of walking, climbing or running over the harmonic conceptions, the melodic elements and the infusion of Irakere’s characteristic stamp, hence providing a lighting fast rhythmic commendable reinterpretation of that tune.
Trumpeter Ray Vega is welcomed to the HJ family in this recording. “Flight to Jordan” is the medium of expression and it is performed with convicted hearts that can tighten themselves up in mutual support and engrossing dialogues that border on feisty felicity. Vega can jam it up!
Roberto Perera conjures flowing images of beautiful Iberian muses with olive skin engulfed in silky wrappings. The comfortable pace and melodic charge will slowly take you over and make you move, and move, and move… Pretty cool deal.
The noted “Perfume de Gardenias” reaches quite a high through Luis MarÃn’s Trio with congas added as a guest performing color. MarÃn tantalizes many salient aspects of this composition with clearly enunciated original words, tight, precise and disciplined remarks, as well as great tempo management. The mildew of yesteryear is evoked before loosing the conclusion free to jam in order to put a big smile on the audience. Go ahead and smile, this one deserves cheers!
Trumpeter Julio Alvarado is a versatile musician from Puerto Rico who takes a voyage to Brazilian verdant lands in “Son for Emilio.” Alvarado blows a pretty and steady trumpet that sounds secure and youthfully mature by the time it recedes into quite a piano deal. Hereafter, the trumpet returns in force and eventually bids the listener farewell into the upcoming Latin Jam.
“Para Luis” is a jazz jam, most likely dedicated to the HJ producer Luis Ãlvarez, with the Berklee in Puerto Rico Professors and Students Band, although here only the teachers are jamming it up. Simply stated, the playing for that type of ensemble is just as fun and good as any. Yep, this one is brassy and ballsy.
Notes: The performances of George Benson, and Ron Carter are not represented in the recording. Dennis Mario did the festival’s logo that year. The cover art can be seen at the Merchandise section of the HJ website. This edition of the HJ was held at the Tito Puente Amphitheater.
Track listing: 1. “Comparsaâ€-“Chucho†Valdés Quartet 2. “Chinchaâ€-Strunz & Farah 3. “Come With Meâ€-Tania Maria Viva Brazil Quartet 4. “Giant Stepsâ€-Irakere 5. “Flight to Jordanâ€-The Ray Vega Latin Jazz Sextet 6. “Place in the Sunâ€-Roberto Perera 7. “Perfume de Gardeniaâ€-Luis MarÃn Trio 8. “Son for Emilioâ€-Julito Alvarado del Sur al Norte 9. “Para Luisâ€-Berklee in Puerto Rico Professors and Students Band
Personnel: “Chucho†Valdés Quartet: Jesús “Chucho†Valdés-piano, Lázaro Rivero Alcarón-bass, Ramses Manuel RodrÃguez Bazalt-drums, Yaroldy Abreu Robles-percussion. Strunz & Farah: Jorge Strunz-guitar, Ardeshir Farah-guitar, Charlie Bisharat-violin, Eliseo Borrero-bass, Joey de León-congas, bongos & minor percussion, Cassio Duarte-cajón, bongos & minor percussion. Tania Maria Viva Brazil Quartet: Tania Maria-voice & piano, Marc Bertaux-bass, Luis Augusto Cavani-drums, Mestre Carneiro-percussion. Irakere: Jesús “Chucho†Valdés-piano, Enrique Román-rums, Jorge Reyes-bass, Jorge L. Valdés Chicoy-guitar, Carlos Emilio Morales-guitar, Irvin Acao-sax, Román Feliú-sax, Basilio Márquez-trumpet, Yaroldy Abreu Robles-percussion, Michael Ante-voice, Mayra Caridad Valdés-voice, Lázaro Rivero Alcarón-bass, Ramses Manuel RodrÃguez Bazalt-drums. The Ray Vega Latin Jazz Sextet: Ray Vega-trumpet, flugelhorn & Director, Harvie Swartz-bass, David Marriott-trombone, Willie MartÃnez-drums, Wilson “Chembo†Corniel-percussion, Igor Atalia-piano. Roberto Perera: Roberto Perera-harp, Abel Pabón-keyboards, Juan Areco-guitar, Rafael Solano-percussion, Carlomagno Arraya-drums, Juan Alfano-bass. Luis MarÃn Trio: Luis MarÃn-piano, Pedro Pérez-bass, Leobadis “PiquÃn†González-drums. Special Guest: Paoli MejÃas-congas & percussion. Julito Alvarado del Sur al Norte: Julio Alvarado-trumpet, flugelhorn, minor percussion & Director, Jorge DÃaz-trombone & minor percussion, Charlie Sierra-timbales, drums, bongo & minor percussion, Reinaldo de Jesús-conga and minor percussion, Richard Trinidad-piano, Pedro Pérez-bass. Berklee in Puerto Rico Professors and Students Band: Larry Monroe-alto sax, Greg Badolato-tenor sax, Ron Savage-drums, Russell Hoffman-piano, Scott de Ogburn-trumpet, Mark White-guitar, Oscar Stagnaro-electric bass, Jeff Galindo-trombone.
Style: Latin/World |
Published: June 19, 2002
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