Quantcast
NEWS |   Sign In   |   I'm New Here
Return to home page





Go and Find
Leanne Weatherly
Shambhala
Susan Wylde
Moods
Michaela Rabitsch & Robert Pawlik Quartet
First Steps
Min Rager
In Between Moods
Tony Foster
This Heart of Mine
Pamela Hines




GR8 - In Stock Now!
Grado Ear Buds






Pete McCann
Info | Enter
Gretchen Parlato
Info | Enter
Henry Threadgill
Info | Enter
Keith Jarrett
Info | Enter

Exit 13
Sylvia Cuenca | Etoile Records (2003)


By Riel Lazarus
Comments        

Since the organ-drums-guitar trio first came to prominence in the early ‘60s, many have tried and failed to recreate the impassioned, groove-laden drive of its most celebrated practitioners. Exit 13, the newest release by drummer Sylvia Cuenca, represents another such attempt, though, unlike so many before them, the trio here walks away with a measured yet boast-worthy triumph in soul-jazz.

Rounded out by organist Kyle Koehler and guitarist Dave Stryker, the Cuenca trio carves capable grooves throughout and at points even shines. Highlights include Stryker's "Miss C's Shuffle" and Koehler's "Big Ed," both of which are marked by rabble-rousing guitar solos and fine support by Cuenca. Countering this energy are two 'mood-ified' ballads, namely Henry Mancini's "Slow, Hot Wind" and Rodgers & Hart's "It's Easy to Remember." Again Stryker stands out, both in solo and support, while Koehler delivers some of his strongest, most thoughtful playing of the set. For her part, Cuenca offers a nice mix of power and restraint, showing that she is one of the finest drum accompanists on the scene today. Her cymbal work is particularly impressive, providing energetic yet unobtrusive color from start to finish.

The sole point of contention with Exit 13 is that the group doesn't open the throttle more often. At points one does wish for the reckless abandon that distinguished the great soul-jazz recordings of the ‘60s. On the other hand, the trio's patient, committed drive more than makes up for the few, negligible shortcomings at play.

So for all you Grant Green, Jimmy Smith, Big John Patton or Wes Montgomery fans out there, here is a chance to shed your nostalgia cap and embrace some fine present-day grooves.

This review originally appeared in AllAboutJazz - New York .

Style: Straightahead/Mainstream/Bop/Hard Bop/Cool
Published: April 18, 2003


Read more reviews of Exit 13.


Be the first to post a comment on:
Sylvia Cuenca's Exit 13

Signup & post a comment!






More articles by Riel Lazarus

Montreal Jazz Festival Day 5, Part One: July 2nd,...
Montreal Jazz Festival: Day 4, Sunday, July 1, 2007
Montreal Jazz Festival: Day 3, Saturday, June 30th,...
Montreal Jazz Festival: Day 2, Friday, June 29th,...
Montreal Jazz Festival: Day 1, Thursday, June 28th,...




Recent CD Reviews
George Garzone - Among Friends George Garzone
Among Friends
Charles Tyler - Charles Tyler Ensemble Charles Tyler
Charles Tyler Ensemble
Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen - Die Enttausschung Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen
Die Enttausschung
Fay Victor Ensemble - The Freesong Suite Fay Victor Ensemble
The Freesong Suite
Jon Irabagon with Mike Pride - I Don't Hear Nothin' But the Blues Jon Irabagon with Mike Pride
I Don't Hear Nothin' But the Blues
Hank Jones / Oliver Jones - Pleased To Meet You Hank Jones / Oliver Jones
Pleased To Meet You

CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 




 
(36)













.. Privacy Policy | AAJ Supports: Lens Lady All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved. Advertise | Contact Us