Quantcast
NEWS: Advertise Locally at AAJ: Top US Metro Areas STORES: CDs/DVDs/Vinyl/Sleeves | Downloads | Posters | Art
jazz
HOME NEWS REVIEWS ARTICLES MUSICIANS PHOTOS FORUMS
  Login   |   MY AAJ Signup  
Intro Site Map Free Daily MP3s Videos Upcoming Releases Guides Editorial Calendar Help Wanted  
Advanced
Contact Us   |   Advertise   |   For Contributors   |   For Musicians





Fire Down Below
The Steve Elmer Trio
Jammin' Uptown
Alvin Queen
Cover Up!
George Kahn
Infinita
Lawson Rollins
Child In My Heart
Tanja Maritsa
The Swingin' Bassoon
Daniel Smith
Advertise Here


Jazz Excursion Radio



"Thicker Than Water"
Ryan Haines Big Band
People & Places

Listen Now






Featured Visual Artist
Scott Friedlander



Push AAJ Content
AAJ Live | RSS | Widsets

North Coastin'

Herb Gauleiter Octet (2003)

Discuss  

Baritone sax man Gauleiter has combined his love for the sounds coming out of '50s Los Angeles with his devotion to the teachings of Winkler Parvenu, the mystic and conman. His acute lack of directional sense led him to produce an album which pays homage to the Parvenuties, a sect he joined in the mid-1970s and which since then has transformed his outlook on life to such a degree that he now appears to regard any band numbering between five and eleven as an octet.

An essential tenet of the Parvenutie faith is that its members must keep to a strict diet of man- made foods. They also believe that, contrary to a certain school of thought, there are places from which God is entirely absent—not the least of these being the Californian compound where the members of the sect live out their days, conforming and performing to, amongst other things, a code of extreme sexual promiscuity. Given their belief that God is absent in their dwelling, they believe that all foods become man-made the moment they cross the boundaries of the compound. But that’s their business.

Fresh –not an appropriate word- from fathering his twenty-seventh child, Gauleiter took his band of the socially inadequate and deluded into LA’s ‘Eric Dolphy Memorial Barbecue’ studios on July 14 1998 to lay down the tracks heard here. However, as every musician present was a Parvenutie they took the task of laying down literally, and by the time they recorded pianist Russ Freeman’s "Russ Job" on August 9, Gauleiter had not only fathered his thirtieth child but also switched to the alto sax because of impaired breathing. He plays alto throughout his Begone Siren Voices, Say Yes To The Flesh suite with an understandable lightness of tone. Vocalist Teela Land hands over Gauleiter’s lyric, which basically sets out the importance not only of his faith, but also the advantages of drinking to excess an additive-enriched ‘orange juice’ as a means for attaining spiritual nirvana. It’s an engaging piece of fluff, the sincerity of which borders on the wry.

On Tate’s "Hands Apart, Eyes Wide Open," Land attempts to summon up the spirits, at least that’s what the booklet note claims, with a mixture of sobs, sighs and shouting. Karper joins her in the endeavour with circular breathing, just a little of which amounts to overkill, before Gauleiter shows just a touch of Leo Parker in his solo. His blues playing is entirely at odds with what’s gone before, especially as he is in turn joined by the enthusiastic clattering of Butcher’s Patriot spoon collection.

Scooby turns in a display of pocket tuba virtuosity –apparently whilst wearing double-breasted shoes- on Days Of Wine And Roses, at which point the spirits presumably left the building.

Such was the level of energy that these band members invested in their music making, allegedly, that the studio floor was their first port of call upon hearing of the completion of this disc. Perhaps unsurprisingly, this energy does not come over. However, it would be churlish not to quietly admire their blind faith and self-belief.


Track listing: Russ Job; Begone Siren Voices, Say Yes To The Flesh: Part 1; Part 2; Part 8; Hands Apart, Eyes Wide Open; Synthetic Feast.

Personnel: Teela Land, Vocals; Colin Makepiece, Trumpet, French Horn, Washboard; Chet Butcher, French Horn, Spoons; Alvin Karper, Trombone; Bob Scooby, Trombone, Pocket Tuba; Nefertiti Medway, Alto Sax, Flute; Geri Laurel, Tenor Sax, Flute, Oboe; Herb Gauleiter, Baritone Sax, Alto Sax; Cecil Tate, Piano; Les Lehrer, Bass; Tub Fischer, Drums.

Style: Modern Jazz/Free Improvisation | Published: April 01, 2003 | More April 1 Reviews


  Discuss   Add to Google  
Nic gets a positive sense of wonder from the most worthwhile music. More about Nic...


More Articles by Nic Jones
Al Dente
Dawn Of A New Day / Experience
Subversive Sounds - Race and the Birth of Jazz in New Orleans
Nad / Reed
Tickle Toe
Bud Shank: The Original - The Pacific Jazz Years
A Power Stronger Than Itself - The AACM and American Experimental...

More Recent Reviews
Kenny Dorham - Afro-Cuban Kenny Dorham
Afro-Cuban
Antipop Consortium - Antipop vs. Matthew Shipp Antipop Consortium
Antipop vs. Matthew Shipp
Matthew Shipp - Equilibrium Matthew Shipp
Equilibrium
Wynton Marsalis And The Lincoln Center Jazz Orchestra - Marsalis Plays Bolden: The 'Lost Napkin' Suite Wynton Marsalis And The Lincoln Center Jazz Orchestra
Marsalis Plays Bolden: The 'Lost Napkin' Suite
Muslim Holiday - The Palestine Sessions Muslim Holiday
The Palestine Sessions
John Coltrane - The Penny Whistle Tapes John Coltrane
The Penny Whistle Tapes



CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 
Most Read: CD Reviews
Last 30 Days | All Time
Most Read: Articles
Last 30 Days | All Time


 
More CD Reviews













  Privacy Policy | Dedicated Servers All material copyright © 2008 All About Jazz and/or contributing writers/visual artists. All rights reserved.