CD/LP/Track Review

Jimmie Lunceford and His Orchestra: 1943-45 Broadcasts (1943)

  • 130
By
JACK BOWERS,

Jack Bowers

Senior Contributor - Since 1997

A former newspaper writer / editor who has been writing about big-band Jazz for more than fifteen years.

1,715 articles published | Recent:

Published: April 12, 2002

Somewhere between the enduring Swing Era “superstars” (Ellington, Basie, Miller, the Dorsey brothers, Harry James, Artie Shaw) and the scarcely remembered “regional bands” stood such enormously popular (and talented) but relatively short–lived “second tier” orchestras as those led by Fletcher Henderson, Don Redman, Chick Webb, Andy Kirk, Jay McShann, Jimmie Lunceford and others. Lunceford’s ensemble was at its peak in the mid– to late–’30s before the great arranger Sy Oliver left to join the Tommy Dorsey Orchestra. These performances, taped for the Armed Forces Radio shows Jubilee, Command Performance and Sound Off, and at the Casa MaƱana in Culver City, CA, document the band near the end of its lengthy and prosperous run (Lunceford died in 1947, two years after the last one was made). But even though Oliver and a number of Lunceford’s principal soloists were gone, he had enough ammunition left to put on a good show, and the band was always well–rehearsed and extremely agile. This is fairly typical Swing Era fare with a few standards (“Hallelujah,” “Yesterdays,” “Don’t Get Around Much Anymore”) sprinkled among the expansive menu of jump tunes, novelties and at least one Lunceford hit (“For Dancers Only”). Alto saxophonist Joe Thomas is the featured soloist (he also sings on “Keep Smiling” and “The Honeydripper”), and the orchestra is powered by longtime drummer Jimmy Crawford. Jubilee’s emcee is rotund Ernie “Bubbles” Whitman, and his pseudo–hip patter is more intrusive here than one some other albums we’ve heard. The less flamboyant announcer on the Command Performance broadcast of June 26, 1943, is film star Fred MacMurray who played some big–band saxophone himself before choosing a more lucrative career path. As for the broadcasts, they sound like what they are, live air–checks preserved on viny or acetate and transferred to disc, warts and all. In other words, the sound is less than admirable but it is Lunceford, and there are those who are willing to trade such shortcomings for another chance to hear again one of the Swing Era’s most widely acclaimed orchestras.

Contact: Soundcraft Compact Classics, P.O. Box 840705, Hollywood, FL 33084.

Track Listing: Introduction; Hallelujah; Pistol Packin

Personnel: Jimmie Lunceford and His Orchestra (personnel unlisted).

Record Label: Soundcraft | Style: Big Band

Be the first to post a comment on Jimmie Lunceford and His Orchestra's 1943-45 Broadcasts.

Signup & post a comment

Artist Name

Album Title

Record Label

Author of Review

Contest Giveaways

Local Calendar


Date Title/Musician Venue Location
Feb 10 Chilcano Tutuma Social Club New York, NY
Feb 10 Gabriel Alegria Afro-Peruvian Sextet Tutuma Social Club New York, NY
Feb 10 Gabriel Alegria Afro-Peruvian Sextet Tutuma Social Club New York, NY
Feb 10 Jesse Statman Goodbye Blue Monday Brooklyn, NY
Feb 10 Chill Factor New Year's after 2 am Event "LifeGuard"Fridays New York, NY
Feb 10 Shirley Crabbe CD Release Party: "HOME" Special Guest: Houston Person Lenox Lounge New York, NY
Feb 10 Roswell Rudd Roulette Brooklyn, NY
Feb 10 Takeshi Ogura Trio The Bass Line Mount Vernon, NY
Feb 10 Russ Spiegel Il Porto Restaurant Brooklyn, NY
Feb 10 Napoleon Revels-Bey "Nu Mo Swing" Jazz 966 Brooklyn, NY
Feb 10 Don Carter Trio Casa Dante Restaurant Jersey City, NJ
Feb 10 Burlesque After Dark Duane Park New York City, NY