Quantcast
NEWS: Read Articles and CD Reviews About Your Favorite Jazz Musicians STORES: CDs/DVDs/Vinyl/Sleeves | Downloads | Posters | Art
jazz
HOME NEWS REVIEWS ARTICLES MUSICIANS PHOTOS FORUMS
  Login   |   MY AAJ Signup  
Intro Site Map Free Daily MP3s Videos Upcoming Releases Guides Editorial Calendar Contests Help Wanted  
Advanced
Contact Us   |   Advertise   |   For Contributors   |   For Musicians





John Beasley
Letter to Herbie
Storyteller
Rob Mullins
Afterburn
Torben Waldorff
Summer Samba
Irene and Her Latin Jazz Band
Live in London
Gene Harris
The Swingin' Bassoon
Daniel Smith
Advertise Here




Jazz Excursion Radio



"This Is What It Is"
Whit Williams
Whit Williams' "Now's The Time" Big Band Featuring Slide Hampton And Jimmy Heath

Listen Now






Push AAJ Content
AAJ Live | RSS | Widsets

uBuntu

Suthukazi Arosi | Sheer Sound (2002)

Discuss  

Mythical characters arise out of the aspirations and fears of people and such figures end up conforming the dreamy inroads of inspiration into music. On the cover of uBuntu appears a warrior-like personage that could very well sing her way into the pantheon of ancestral spirits that reigns, according to many honorable local traditions, over African music. Behold composer, lyricist and singer Suthukazi Arosi. It is hoped that her dark knobkerrie will not hit you in the head, like the literary character MaMsomi was, in order to take you into the cave of renewed musical tastes, searching for our fabled common humanity through this recording. That, after all, is what Arosi is looking for, a common humanity all the way through a sound that moves, pleases, inspires and soothes.

South Africans do not concern themselves too much with fitting their tuneful lives and lexis into easy labels, hence the stew of influences present in Arosi’s Jazzy and rootsy recording. Musically speaking this CD is a deft hunt for melody and harmony, through several stimuli. The sax lines on the opening cut, for example, are as embedded in Jazz as they are in the strapping Pop that thrives throughout Sub-Saharan Africa. An occasional acoustic piano, accompanied by superb rhythmic support throughout the album, serves Arosi’s indomitable vocalizations rather well. Her africanía readily conveys passion, emotion, depth, happiness and hope. Tradition, most obviously expressed through the lead and back up vocal work, does not have to exclude the advances brought about by technology. Its sparse use in the album complements the colorful palette that this striking actress offers on a graceful acoustic bed made by musicians that can keep plenty of swing and groove going through it all.

As in any type of art, the touches matter most. Arosi’s production values infuse a breath of life into a program of implementation that, along with the support of Andile Yenana and Herbie Tsoaeli, shaped the musical feel or air of this recording. Such is the way in which mythical characters become living messengers of critical communications of hope, challenge, as well as life and fun. After uBuntu you will love Africa, people, life and Arosi much more. Her breath of life can touch you…

Contact: www.sheer.co.za


Track listing: 1. Wemnt’omnyama Vuka Emaqandeni 2. Somandla 3. Amanyala 4. Abelungu abamnyama (intro) 5. Abelungu abamnyama 6. Umziwasha 7. Abafazi balelali 8. Vumani 9. Isidudla 10. Ulele Ulele 11. Uyakhala

Personnel: Acoustic Piano (2, 7, 9); Synth, Fender Rhodes Keyboard (3, 4, 5, 6, 8, 10)-Andile Yenana. Backing vocals-Velile Mchunu, Sonto Khumalo, Sipho Nxumalo, Bongani Masuku, Khanya Ceza (1). Add Lindiwe Mkhize on 3 and 4, Herbie Motlatsi Tsoaeli on 6. Bass-Jimmy Mngwandi (1, 4), Herbie Tsoaeli-(2, 3, 4, 5, 6, 7, 8, 9, 10); Drum Program (3, 8). Drums- Sello Montwedi (4, 5, 6, 10). Isaac Mtshali (1). Rob Watson (2, 7, 9). Electric Guitar-George Phiri (2, 10). Guitar-Bheki Khoza (1, 8). Louis Mhlanga (3, 4, 5, 6). Lead vocals on all tracks, backing vocals on all but 1 and 6-Suthukazi Arosi. Organ, Accordion (1)-Thuthukani Cele (3, 4, 6, 8). Percussions, Congas (3)-Basie Mahlasela (4, 5, 10). Sax, Flute (5)-Buddy Wells (1, 10).

Style: Beyond Jazz | Published: March 01, 2002


  Discuss   Add to Google  
JAQO's bohemian life eventually led to jazz... More about JAQO...


More Articles by Javier AQ Ortiz
Lonnie Plaxico
Mosaic Select: Charles Tolliver
Live at the Jazz Showcase
Opsvik, Tone Collector & Wallumrød: Unlike What You Normally Hear
Beat the Donkey Beat
With All My Heart
This Way

More Recent Reviews
The Necks - Hanging Gardens The Necks
Hanging Gardens
JATP - Carnegie Hall 1949 JATP
Carnegie Hall 1949
African Jazz Pioneers - Afrika Vukani African Jazz Pioneers
Afrika Vukani
Wibutee - Eight Domestic Challenges Wibutee
Eight Domestic Challenges
Dave Douglas - The Infinite Dave Douglas
The Infinite
Jimmy Smith - The Fantastic Jimmy Smith Jimmy Smith
The Fantastic Jimmy Smith



CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 
Most Read: CD Reviews
Last 30 Days | All Time
Most Read: Articles
Last 30 Days | All Time


 
More CD Reviews



Itmos
Silence
From Itmos
7:49

More | Recent | Top










  Privacy Policy | Dedicated Servers All material copyright © 2008 All About Jazz and/or contributing writers/visual artists. All rights reserved.