Quantcast
NEWS |   Sign In   |   I'm New Here
Return to home page





Pieces of Jade
Scott LaFaro
Shambhala
Susan Wylde
Go and Find
Leanne Weatherly
Dangerous Liaisons
Sylvia Brooks
Positootly!
John Beasley
Skin and Wire
Bill Bruford and Pianocircus





"The Night We Called It a Day"
Kieran Overs
For the Record

Listen Now

More Channels







Henry Threadgill
Info | Enter
Keith Jarrett
Info | Enter
Ben Neill
Info | Enter
Nicole Mitchell
Info | Enter

Zemog: El Gallo Bueno
Zemog | Aagoo Records (2002)


By Javier AQ Ortiz
Comments        

Quick and to the Point: Alternative takes on Latin music articulating that, musical or not, life is too serious to take seriously…

Lyrics are not the strength of Zemog’s El Gallo Bueno, or the Good Rooster. More often than not, the vocals feel and seem in jest, albeit their conceptual and musical role is exquisitely fulfilled throughout the recording. Thankfully, nonetheless, they are devoid of the ordinary narcissistic self-angst –sans true understanding of anything– compulsory in much youthful contemporary music. What you do find in this release is some serious slamma-jamma musical amusement encompassing an amalgamation of Rock, Bomba, New York Mozambique, Plena, Chá-like structures, Dissonance, Puerto Rican Jíbaro stringed music, Guaguancó, Jazz, Cumbia, Cuban congas or comparsas and skewed readings of the Salsa aesthetic.

Incidental to the true musical smarts of the work is its characteristic happy-go-lucky attitude, preventing the musicians to take their tasks at hand too seriously. Such a mind-set can be readily pictured in the swagger of “Palo de Ron,” or Rum Shot. It is also apparent in the “sloppy-slurpy-Joe” baritone sax solos –as on “Anímate”– that fatten the unique sonic feel of a group with its own sense of musical bottoms.

“Murciélago” leads one to appreciate the players' fine and fiery talent. Taylor Ho-Bynum’s muted cornet is as Jazzy as Afro-Cuban, swinging and tasty as one could wish, while Tim “Mondongo” Messbauer’s trombone is quite driven. Both show an endemic capacity to mesh themselves extremely well with the fabric of the percussive underpinnings of all the themes, while coloring the textures in their own hip way.

Even so, a timbale solo on "Lares Vegas" readily reminds the listener that this type of music is a “skin-on-skin” phenomena. The major and minor percussive groundwork of the album, however, does not overshadow its parallel stringed foundations, sampling enhancements, and the virtuosic capacity of the horns to elicit novel lines of thought, phrasings and feelings.

Bold, ballsy, brashy and fun, Zemog: El Gallo Bueno is one fine mutant Latin release. It inhabits seldom-inhabited nether musical regions; perhaps you owe yourself such a trip…

Contact: Aagoo Records .


Track listing: 1. Outpost Wallpa 2. An

Personnel: Abraham G

Style: Latin/World
Published: February 25, 2003


Be the first to post a comment on:
Zemog's Zemog: El Gallo Bueno

Signup & post a comment!






More articles by Javier AQ Ortiz

Eric Vloeimans: Hyper Fugimundi Gatecrash
Trumpeter Eric Vloeimans' Fugimundi at Tigertail,...
Hyper
Lonnie Plaxico
Mosaic Select: Charles Tolliver




Recent CD Reviews
The Nice Guy Trio - Here Comes The Nice Guy Trio The Nice Guy Trio
Here Comes The Nice Guy Trio
Jon Hassell - Last night the moon came dropping its clothes in the street Jon Hassell
Last night the moon came dropping its clothes in the street
Max Roach & Archie Shepp - The Long March Max Roach & Archie Shepp
The Long March
Carlos Zingaro - Spectrum Carlos Zingaro
Spectrum
Underground Horns - Funk Monk Underground Horns
Funk Monk
Hot Club of San Francisco - Hot Club Cool Yule Hot Club of San Francisco
Hot Club Cool Yule

CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 




 
(22)













.. Privacy Policy | AAJ Supports: Lens Lady All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved. Advertise | Contact Us