Quantcast
NEWS |   Sign In   |   I'm New Here
Return to home page





Go and Find
Leanne Weatherly
This Heart of Mine
Pamela Hines
Shambhala
Susan Wylde
Moods
Michaela Rabitsch & Robert Pawlik Quartet
First Steps
Min Rager
In Between Moods
Tony Foster








Pete McCann
Info | Enter
Gretchen Parlato
Info | Enter
Henry Threadgill
Info | Enter
Keith Jarrett
Info | Enter

A Fifth of Midnight
Mikole E. Kaar | All American Entertainment (2002)


By Jack Bowers
Comments        

If they could have seen far enough ahead, Mikole E. Kaar’s parents — who seem to have had a flair for names — might have called him Mikole V — the v, of course, for “versatile.” On A Fifth of Midnight, his debut album as leader, Kaar plays tenor sax on five tracks, clarinet and bassoon on two apiece, soprano sax and flute. He’s backed throughout by an efficient (but slightly over­recorded) rhythm section consisting of guitarist Pat Danna (who adds a pleasant vocal on “Hit That Jive Jack”), bassist John Hurst and drummers Gary Nieves or Jeff Kingdom. On tenor, Kaar sounds somewhat like a cross between Harry Allen and Lockjaw Davis, on flute like Herbie Mann, on soprano and clarinet like a tenor saxophonist playing soprano or clarinet. On bassoon, of course, there aren’t many others with whom to compare him (I can remember only one, Errol Buddle of the Australian Jazz Quintet). Perhaps because of this, the bassoon numbers (“I’ll Remember April,” Sonny Rollins’ “Doxy”) embody some of the album’s most engaging moments. While Kaar gives a decent account of himself on every instrument, versatility is undeniably his strong suit — as opposed to, say, notable resourcefulness. The tenor, strangely enough, may be his weakest axe (for example, on the uptempo “I Found a New Baby” Kaar’s technique seems no better than acceptable, although he could be smearing notes on purpose, in which case we beg his pardon). Kaar opens on tenor (“Shine”) and expresses himself well on Monk’s “’Round Midnight” with solid support from the rhythm section. He traverses the lower regions of the clarinet on “Begin the Beguine” and “Mood Indigo,” the flute on “Lover Man,” and unlimbers the soprano on the album’s only original, his own “Judy Anne.” Although Kaar’s phrasings are far from groundbreaking, there’s no doubting his proficiency or enthusiasm. An earnest introductory endeavor that may lead to bigger and better things in the future.

Contact:Carrie Landsgaard, All American Entertainment, 1431 Burroughs St., Oceanside, CA 92054. Phone 1­800­805­9745; e­mail Allamer@cs.com

Mikole E. Kaar at All About Jazz.
Visit Mikole E. Kaar on the web.


Track listing: Shine; Begin the Beguine; Lover Man; Hit That Jive Jack; I

Personnel: Mikole E. Kaar, tenor, soprano sax, flute, clarinet, bassoon; Pat Danna, guitar, vocal (track 4); John Hurst, bass; Gary Nieves (1, 3, 5, 7

Style: Straightahead/Mainstream/Bop/Hard Bop/Cool
Published: February 01, 2002


Be the first to post a comment on:
Mikole E. Kaar's A Fifth of Midnight

Signup & post a comment!






More articles by Jack Bowers

Salute to Stan Kenton: Artistry in Contrast
Gerald Wilson Orchestra / Dallas Original Jazz...
I'm Flying
Rob Parton Quartet
Deck the Halls with Big Band Carols




Recent CD Reviews
Warne Marsh and Lee Konitz - Two Not One Warne Marsh and Lee Konitz
Two Not One
Henry Darragh - Tell Her For Me Henry Darragh
Tell Her For Me
Jeb Patton - New Strides Jeb Patton
New Strides
Michaela Rae - Blues with a Backbone Michaela Rae
Blues with a Backbone
The OtherTet - The OtherTet The OtherTet
The OtherTet
George Garzone - Among Friends George Garzone
Among Friends

CD Review Search
Artist Name  
Album Title  
Record Label  
Author  
 




 
(15)




The New Five

New York Hotel
From Introducing The New Five

More | Recent | Top










.. Privacy Policy | AAJ Supports: Lens Lady All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved. Advertise | Contact Us