Quantcast
NEWS | Jazz Travel: The 52nd Annual Monterey Jazz Festival VIP Tour...   Sign In   |   I'm New Here
HOME NEWS REVIEWS ARTICLES MUSICIANS GUIDES PHOTOS FORUMS MOBILE RADIO
Welcome Site Map Shows Daily MP3 Videos Podcast Upcoming Releases Editorial Calendar Contests  
Advanced
Contact Us   |   Advertise   |   For Contributors   |   For Musicians





Dark Wood, Dark Water
Chad McCullough
Gettin' Blazed
Jermaine Landsberger
Hit It and Quit
B.D. Lenz
Mystique
Amaryllis Santiago
No Worries
Larry Slezak
Advertise Here





"Baby Weezer"
The Jazz Police
Daniel Barry/Phantom Suite

Listen Now

More Channels






Rhino Records
Info | Enter
B.B. King DVD
Info | Enter
Jazzhead Records
Info | Enter
18th & Vine
Info | Enter
Jazz Eyes
Info | Enter

The Unity
Adonis Rose | Criss Cross


By C. Andrew Hovan Comments        

With enough fodder to serve as a thesis or research paper, someday someone will look into the correlation that finds trumpeters often serving as the most significant jazz leaders in the history of the music. Just dropping the names Louis Armstrong, Clifford Brown, and Miles Davis will prove the point. In more recent times we would have to add the names Roy Hargrove and Nicholas Payton. So what does this have to do with Adonis Rose? Well, Rose is a key member of Payton's quintet and for his second date as a leader he once again has chosen to take over leadership of Nick and the guys. It's a sagacious move because these gents are a working band and you can tell, with telepathic interplay and ensembles as tight as a baby's bottom.

It would make for an interesting comparison to stack Payton's Verve sides alongside The Unity and Rose's debut, A Song For Donise, as while the trumpeter's sphere of influences takes in everything from New Orleans gumbo to funk and beyond, The Unity, in particular, has a marked Miles Davis influence circa 1966. This point is further enforced by the inclusion of Wayne Shorter's "Dolores" and Rose's "Prince of the Night," whose title and melody sound vaguely Milesian in nature.

Group interplay is particularly strong throughout, with Payton's searing intensity and tenor saxophonist Tim Warfield's crying tone a match as perfect as, well, Davis and Shorter. Rose proves to be a confident leader and while there are some amazing pyrotechnics from the drummer, he's clearly more interested in the overall musicality of each performance than in displays of his solo artistry.

Warfield's influence is detected in what is arguably the highlight of the entire set, a majestic and uncharacteristic reading of "I Remember You." Taken at a slow ballad tempo and backed simply by Rose's shimmering cymbals, Warfield delivers that lush and breathy attack of his that has become a signature and the shivers literally course through the body. Such depth of feeling separates the men from the boys. A truly profound performance by any standard.

Often times we can't see the forest for the trees. As sad as the passing of so many jazz greats over the past few months has been, let us not forget that there are gentlemen like Rose, Payton, and Warfield who have the talent to become our next generation of jazz heroes if we just provide them the support they so richly deserve. Enough said.


Track listing: Prince of the Night, Dolores, The Unity, Tonk, Anna Maria, I Remember You, Smooth Jazz (58:15)

Personnel: Adonis Rose- drums, Nicholas Payton- trumpet, Tim Warfield- tenor sax, Anthony Wonsey- piano, Reuben Rogers- bass

Style: Straight-Ahead/Mainstream/Bop/Hard Bop/Cool
Published: February 01, 2000


Be the first to post a comment on:
Adonis Rose's The Unity

Signup & post a comment!



 
(20)









    Privacy Policy | Dedicated Servers | All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved.