Mindy Jostyn is a solid Renaissance woman: a multi-instrumentalist toting a resume replete with appearances with John Mellencamp, Carly Simon, Billy Joel, and others. She came my way while I was watching Emeril Live! on the FoodTV channel (what Ozzie Osbourne calls "The Bake Your Own Bread Channel"). Performing with Doc Gibbs and the rest of the band, she played no less than four instruments (guitar, accordion, harmonica, fiddle), all prompting me to say, WOW! And she looked a bit familiar, besides that. That is often the lot of studio musicians, that breed of performer who spends the better part of their time making other artists sound better. I suspect that Ms. Jostyn has a Ph.D. in making other artists sound better.

But it is an ignorant public who has not caught on to Ms. Jostyn’s recordings as a leader, which currently number four:

• Five Miles from Hope (Demon Records 781, 1995)
• Cedar Lane (Palmetto Records 2025, 1997)
• In His Eyes (Moonboy Records, 1998)
• Blue Stories (Prime CD PCD 78, 2002)

All have been warmly received and for good reason. Ms. Jostyn’s most recent release, Blue Stories, is an exceptional solution of folk, blues, Dixieland, pop, rock, Celtic and country, all simmering into a truly distinctive sound. Ms. Jostyn herself describes this recording as

That is a really great vision.

That said, the listener should be very cognizant of Ms. Jostyn’s lyrics. She is quite as master songster, spinning out tales overheard at truck stops ("Sam’s Back with Sadie Again"), stories of those who have "not loved wisely, but too well" ("Don’t Turn Away") and tomes from the male perspective about the female condition ("Empathetic Woman").

Mindy Jostyn’s instrumental ability is second to none. She plays all keyboards, harmonica, guitar, violin, and every other damn thing that can be played and played well—very much the total package.

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