Quantcast
NEWS | Jazz Musicians Jymie Merritt and Trudy Pitts to be Honored   Sign In   |   I'm New Here
HOME NEWS REVIEWS ARTICLES MUSICIANS GUIDES PHOTOS FORUMS MOBILE RADIO
Welcome Site Map Shows Daily MP3 Videos Podcast Upcoming Releases Editorial Calendar Contests  
Advanced
Contact Us   |   Advertise   |   For Contributors   |   For Musicians





No Worries
Larry Slezak
Hit It and Quit
B.D. Lenz
Dark Wood, Dark Water
Chad McCullough
Gettin' Blazed
Jermaine Landsberger
Mystique
Amaryllis Santiago
Advertise Here





"Free for Three"
Elias Haslanger
Kicks Are for Kids

Listen Now

More Channels






Rhino Records
Info | Enter
B.B. King DVD
Info | Enter
Jazzhead Records
Info | Enter
18th & Vine
Info | Enter
Jazz Eyes
Info | Enter

Open Door and Desire
Dan Plonsey | Felmay


By Glenn Astarita Comments        

A resident of the San Francisco Bay area, saxophonist/composer and overall free thinker, Dan Plonsey has studied with Anthony Braxton, attended Yale University, written Operas while also a member of Eugene Chadbourne’s West Coast version of “Insect & Western. On Open Door and Desire Mr. Plonsey, exhibits his aesthetic and thoroughly imaginative talents as he performs several pieces that comprise multi-tracked saxophones along with his intermittent employment of delightfully cheesy electric keyboards. No doubt, Plonsey is a creative soul who possesses a Renaissance spirit, which is evident from the opening seconds of “The Superhero of Shirts”. Here, Plonsey performs solo saxophone intermingled with simplistic childlike banter....weird, bizarre yet a fitting intro to an unorthodox affair!

Plonsey’s astute layering and multi-tracking of his saxophone performances while at times symphonic in appearance actually translate into thoughtful and well-constructed compositions. Plonsey’s utilization of various saxophones at times produces music that seems liquid or elastic coupled with the oddball dashes of humor and wit. Here and throughout, Plonsey provides the listener with interludes or perhaps intermissions as he plays an electric keyboard which has that 70’s “cocktail lounge” feel, or reminiscent of an old Saturday Night Live skit featuring comic Bill Murray. On “Zali, Dali and Eggplant Thali”, Plonsey offers a change of pace while performing a soft, straightforward quasi-samba ballad along with processed drums and keyboards that segues into a large scale WSQ-style motif featuring more of his skillful multi-tracked sax choruses. “Open Door Triangle Fire” is a textured and quite frantic free-jazz piece as Plonsey pursues circular movement along with echo and reverb treatments.

We need to re-emphasize here, that Plonsey’s - layering of saxophones - approach indicates a whole lot more than someone just tinkering around in the studio at the listener’s expense. These are strong, solid and altogether intelligent compositions as Mr. Plonsey graciously welcomes us into his very diverse and at times unusual musical world .....Recommended listening! * * * *

Dan Plonsey: All saxophones, keyboards

Website: www.inrete.it/robidroli/home.html

Style: Modern Jazz
Published: January 01, 2000


Be the first to post a comment on:
Dan Plonsey's Open Door and Desire

Signup & post a comment!



 
(27)









    Privacy Policy | Dedicated Servers | All material copyright © 2009 All About Jazz and/or contributing writer/visual artist. All rights reserved.