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Rock & Reel
La Bottine Souriante | EMI Music


By Jim Santella Discuss        

La Bottine Souriante – Rock & Reel (EMI/Hemisphere) Manufactured by Capitol Records, Hollywood and Vine, Hollywood, CA [47446] (51:18) Label this one in the Fringes of Jazz category. The universal language. When it comes from talented artists working with perfect execution, the music crosses boundaries and appeals to all. Especially when it melds traditional "French North American roots music" with contemporary jazz. All the essential elements are there: call & response vocals, foot stomping, gongs, chants, meters both regular and syncopated, and – of course – a fiddler. These are traditional elements tied to most forms of music around the world. Here, it comes in the form of Acadian-French folk songs that have ties across at least one ocean and a direct line to other parts of North America. La Bottine Souriante, a tight 9-piece ensemble, was formed in 1976; the four horns were added in 1990. Starting each song in a traditional manner, the band lets it evolve gradually into a contemporary jazz piece with horns wailing together. While this is ensemble work perfectly executed with consonance, rich octaves, and open harmony, it also swings with fire and intensity.

The most obvious jazz spot comes during "Yoyo-Verret," after a traditional start. From call & response singing, natural drum sounds, and clogging, the scene turns to an accordion lead, which acts as a bridge. On the other side of the bridge is a swinging Latin jazz adventure that culminates with André Verreault’s hot trombone solo. Similarly, "Un Air Si Doux" which begins as a call & response vocal featuring lead singer Yves Lambert, turns the corner and opens up into a slinking sidewalk jazz scene colored by double bass, guitar, horns, brushes swirling on a snare drum, and a soulful tenor saxophone solo (à la the Pink Panther) by Jean Fréchette. It’s great to see the universal language in action, crossing boundaries and still swinging.


Track listing: Reel du Forgeron (The Blacksmith’s Reel); Les Trois Cavaliers (The Three Horsemen); Arin Québec (Arin Quebec); Chanson de Mathurin (Mathurin’s Song); Medley des Éboulements (Landslide Village Medley); Ciel d’automne (Autumn Sky); Yoyo-Verret (YoYo-Verret); Suite Métisse (Metis Suite); Un Air Si Doux (An Air So Sweet); Alice Au Pays d’Arto (Alice in the Land of Arto); Ami de la Bouteille (Friend of the Bottle); Margot Fringue (Margot Fringue).

Personnel: Régent Archambault- double bass, electric bass, vocals, percussion on "Chanson de Mathurin;" Michel Bordeleau- vocals, mandolin, violin, foot-tapping, guitar, drums, percussion on "Chanson de Mathurin;" André Brunet- violin, vocals, percussion on "Chanson de Mathurin;" Robert Ellis- bass trombone, tuba; Denis Fréchette- piano, piano-accordion, percussion on "Chanson de Mathurin," snare drum on "Ami de la Bouteille;" Jean Fréchette- tenor saxophone, clarinet, flageolet recorder, percussion, vocals; Yves Lambert- vocals, 3-row accordion, harmonica, melodion, "guimbarde," percussion on "Chanson de Mathurin;" Jocelyn Lapointe- trumpet; André Verreault- trombone.

Style: Fringes of Jazz
Published: January 01, 2000


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Articles by Jim Santella
Monk Competition 2008: Saxophones
Jazz & Blues: A Tribute to B.B. King
Persistence
Energy Fields
Cleome: Live Takes
Soliloque
Conversations With My Family
Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues, The L.A. Jazz Scene, and Cadence Magazine. More about Jim...



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