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Michael Dease: Relentless (2014)

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Michael Dease: Relentless How we rate: our writers tend to review music they like within their preferred genres.

While rising star trombonist Michael Dease's previous albums have all been small group affairs, much of his sideman work has marked him as something of a large ensemble specialist. He's put his slide to good use in numerous big bands and jazz orchestras, including those led by Christian McBride
Christian McBride
Christian McBride
b.1972
bass
, Charles Tolliver
Charles Tolliver
Charles Tolliver
b.1942
trumpet
, Roy Hargrove
Roy Hargrove
Roy Hargrove
b.1969
trumpet
, Rufus Reid
Rufus Reid
Rufus Reid
b.1944
bass, acoustic
, and Nicholas Payton
Nicholas Payton
Nicholas Payton
b.1973
trumpet
. Given that information, it should come as no great surprise that Dease decided to make a go of fronting his own big band.

Relentless—the rising star trombonist's sixth album, and his first on the Posi-Tone imprint—finds Dease in charge of a group that's populated with other big band mainstays (trumpeters Seneca Black and Greg Gisbert), young jazz heavies (bassist Linda Oh
Linda Oh
Linda Oh

bass
, drummer Ulysses Owens Jr., saxophonist Sharel Cassity
Sharel Cassity
Sharel Cassity

saxophone
), and a few welcome guests (trombonist Wycliffe Gordon
Wycliffe Gordon
Wycliffe Gordon
b.1967
trombone
and guitarist Andrew Swift
Andrew Swift
Andrew Swift

drums
). The program reads like a history of Dease's commissions and musical upbringing. He reclaims arrangements originally penned for Hargrove's group (Duke Pearson
Duke Pearson
Duke Pearson
b.1932
piano
's "Is That So"), the WDR Big Band (Eric Alexander
Eric Alexander
Eric Alexander
b.1968
sax, tenor
's "Little Lucas"), and the Webster Groves High School Big Band ("Webster Grooves"); he expands music previously recorded in a small group setting ("Relentless") and looks back on his early attempts at writing for big band ("The Takeover"); and he reshapes classics that he's learned to love over the years ("Two Bass Hit," I'm Glad There Is You," and "Autumn Leaves").

Dease's charts kick, swing, leave lots of room for soloists, and occasionally put each section to the test with fiery, finger-busting passages. It's not all high energy, adrenaline-fueled music, but the most memorable performances—"The Takeover," "Roppongi," and "Two Bass Hit"—tend to get the pulse racing in some way.

Groups like this tend to be studio-made bands, not working units, so it'll be interesting to see if Dease can get this group on the bandstand and develop what he's started. It's a unit with plenty of muscle, driven by a leader with boundless talent, so here's to hoping that Dease can keep it afloat and help it evolve.

Track Listing: Is That So; Force; Relentless; I'm Glad There Is You; The Takeover; Little Lucas; Roppongi; Two Bass Hit; Webster Grooves; Autumn Leaves.

Personnel: Michael Dease: trombone, musical director; Todd Bashore: alto saxophone, flute; Tim Green: alto saxophone, flute; Diego Rivera: tenor saxophone; Sharel Cassity: tenor saxophone; Tony Lustig: baritone saxophone; Adam Rongo: tenor saxophone (7); Seneca Black: trumpet; Greg Gisbert: trumpet; Alphonso Horne: trumpet; Etienne Charles: trumpet; Alex Norris: trumpet; Benny Benack III: trumpet; Anthony Stanco: trumpet; Tom "Bones" Malone: trombone; Jerrick Matthews: trombone; Coleman Hughes: trombone; Jeff Nelson: bass trombone; Ron Wilkins: trombone; Peter Nelson: trombone (7, 10); Wycliffe Gordon: trombone (10), vocals (8), slide trumpet (8); Miki Hayama: piano; Linda Oh: bass; Ulysses Owens Jr.: drums; Andrew Swift: guitar (7); Gwendolyn Burgett: percussion.

Record Label: Posi-Tone Records

Style: Modern Jazz


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