ReEntry by John Kelman
A Little Night Waltz by Michael P. GladstoneMore articles about G.F. Mlely
A Little Night Waltz
His playing exudes confidence and a sense that, as exploratory as he gets, he always knows where he is going. Nothing feels left to chance, yet the spirit of improvisation is strong; within the context of compositional structure Mlely takes the tunes to places that often surprise. Even pieces like “Battle Hymn of the Republic,” while always keeping the melody near the surface, take unexpected twists and turns. Mlely is one of the few pianists out there who can extend a solo piano interpretation to seven minutes and maintain interest throughout.
But for all his sense of invention, melodic diversions and ability to break up the rhythm while, all the while, implying a strong pulse, Mlely manages to keep things accessible. This is no “outside” exploration a la Cecil Taylor; this is a considered investigation into the melodic potential of each piece. Even on originals like “Never Quite Say,” with its lightning fast runs and slightly more abstruse changes, Mlely never loses sight of the core of the tune.
Since ReEntry , Mlely has issued two more albums, 88 Keys and Counting and his first group recording on over twenty years, the 2003 release A Little Night Waltz . But it is with ReEntry that Mlely established that he was back on the scene, ready to take no prisoners. It is an inventive and passionate album that deserves to expose Mlely to a broader audience.
Visit G.F. Mlely on the web.
Track Listing: It Ain't Necessarily So; Battle Hymn of the Republic; Never Quite Say; Threnody for an Unborn Child; Bess, You is My Woman; Secret Love; Fat Butterfly; ALl of You; Words We Say
Personnel: G.F. Mlely (piano)
Record Label: JazCraft
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