Leslie Pintchik is a newer face on the jazz scene and Quartets is a respectable contribution that keeps in tide with her growing reputation.
Pintchik's approach to jazz does not rely on flashy lines or complex chordal movement like many of her peers; instead, it focuses on strong improvised material backed by a solid group of musicians who both complement her and add their own voice when the time comes for them to solo. Quartets is no exception to her refreshingly subtle style.
Understated though it may be, Quartets never lacks the ability to challenge the musical ear. On the well-known tune "Too Close for Comfort, Pintchik chooses to approach the melody with alternating Brazilian rhythms, which makes for an upbeat and original rendition. Scott Hardy's bass solo on this track is melodically pleasing and eases into a delightful, but unfortunately, short percussion battle between drummers Mark Dodge and Satoshi Takeishi. "Private Moment pleases the ear with Pintchik's simple melodic lines combined with clever chord changes. The melody is played beautifully by Steve Wilson on soprano sax and features a simple, yet sophisticated solo by the leader.
Quartets is a soothingly romantic album in a sea of instant gratification pianists. It is nice to take some time to get to know the music without the rush of a climax. The result is a beautifully performed statement with the delicate sophistication of a love story.
Track Listing: Happy Days Are Here Again; Too Close For Comfort; A Simpler Time; Not So Fast; Over Easy; Private Moment; Fugu; Small Pleasures; Somewhere/Berimbau.
Personnel: Leslie Pintchik: piano; Scott Hardy: bass; Mark Dodge: drums; Satoshi Takeishi: percussion (1-3, 7, 9); Steve Wilson: alto and soprano saxes (4-6, 8).
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds. I love how jazz can involve musicians who may have never met each other can coming together and making incredible music by referring to the Great American Songbook and musicians who have been playing together for years, who have a deep connection and who explore and create original music that is at the cutting edge of musical innovation in every sense. Performing jazz music requires a virtuosity and technique that only strict discipline can teach as well as a spontaneity and playfulness that reflects the simple folk roots of the music.
I was first exposed to jazz as a student in college. Only knowing I wanted to play guitar, I enrolled in an applied music program that focused on Jazz rhythm section playing. The subsequent journey that I have been on since the time that I enrolled in that class has helped me grow not only as a musician but more so as a person.