But first, a bit of background. Tod Dockstader is a veteran experimentalist whose primary work centered around manipulation of optical sound and tape recorders; this is his first new full-length recording since 1967. David Lee Myers, otherwise known as Arcane Device, assembled 1988's Engines of Myth (recently reissued by ReR on CD), a recording made from inputless "feedback machines." Myers convinced Dockstader to boot up a computer and explore the finer control and fidelity available through that medium, and after coming up with the idea of recording frogs and toads, he snuck around late at night with a mic and collected the source material for Pond.
That's just the beginning of the story, of course, because the only raw ambience appears (briefly) on the first track, "Crepitata." For the rest of the record, broken down into thirteen chapters, Dockstader and Myers scrubbed the source material, dopplered and reversed it and altered its speed, and came up with collages of processed sound. Who knows what else they did along the waymost likely the details will remain privatebut it's all about inventing new relationships between man and nature at the same time as exploring the connections between man and machine.
The idea of using electronics to bring new life to ambient sound is clever if not brand new, and Pond is full of elements that are simultaneously familiar and alien. Once you've come to terms with the circular aspect of the conceptlife enters machine and exits aliveyou can spend hours with this recording and still be surprised by it. Headphones are recommended if you want to really get wet.
Note: click here for another amphibian review of a totally different nature.
Track Listing: Crepitata; Slow Marsh; Horsefly; Chorus; Surge; Glottalk; Assembly; Twango; Swarm; Bellpool; Springers; Pterygota; Corridor.
Personnel: Tod Dockstader and David Lee Myers, plus various unspecified amphibians.
Record Label: ReR Megacorp
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