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Oscar Peterson was a jazz giant whose career spanned from the late '40s until not long before his death in late 2007. When Resonance owner George Klabin conceived this big band tribute, he made an unusual choice: Marian Petrescu, a Rumanian native, who had appeared as a sideman on guitarist Andreas Oberg's earlier CD for the label. Klabin heard the Peterson influence in Petrescu's playing and thought it would fit in with the collection of West Coast all-stars, along with Oberg, that he hired for the sessions.
Two possible mistakes were avoided. For the most part, standards readily identified with Peterson's regular repertoire were bypassed in favor of less frequently explored pieces. Also, Petrescu's technique is similar to Peterson's but he doesn't attempt to recreate the master's touch, though he enjoys his solo romp through the pianist's "A Little Jazz Exercise."
A spry chart of Ray Brown's "Waltzing is Hip" (erroneously credited to Peterson) alternates the focus between Petrescu and the band, with a few breaks for drummer Joe LaBarbera (of Bill Evans' final trio). Peterson's ballad "L'Impossible" is an overlooked gem from the mid '60s, featuring Petrescu's bluesy, intricate solo with the horns intermittently in the background. The medley of Peterson's gospel-flavored "Hymn to Freedom" and a swinging take of "John Brown's Body" (inspired by "The Battle Hymn of the Republic") find the band afire, with Oberg scatting in unison with his guitar on the latter. The musicians sizzle in the peppy interpretation of Oscar Pettiford's classic bop vehicle "Tricotism."
Arrangements are by Bill Cunliffe, Claus Ogermann and Kuno Schmid, who each conducted their respective charts, and a brief DVD documentary is included, providing some insight into the creative process. A follow-up recording is easily merited.
Track Listing: Waltzing is Hip; L'Impossible; Little Girl Blue; Down Here on the Ground; Medley: Hymn to
Freedom/John Brown's Body; Sally's Tomato; Tricotism; Greensleeves; Bossa Beguine; West
Side Story Medley; A Little Jazz Exercise.
Personnel: Marian Petrescu: piano; Andreas Oberg: electric guitar; David Stone: bass; Joe La Barbera:
drums; Bob Sheppard: reeds/flutes; Steve Wilkerson: reeds/flutes; Brian Scanlon:
reeds/flutes; Keith Fiddmont: reeds/flutes; Tom Peterson: reeds/flutes; Willie Murillo:
trumpet/flugelhorn; Larry Lunetta: trumpet/flugelhorn; Bob Summers:
Larry Hall: trumpet/flugelhorn; Andy Martin: trombone; Bob McChesney: trombone;
Wendell Kelly; Bill Reichenbach: trombone, tuba; Pierre Paul: Cabasa; Bill Cunliffe: arranger,
conductor; Kuno Schmid: arranger, conductor; Claus Ogerman: arranger, conductor;
Peter Kent: strings; Giovanna Clayton: strings; Belinda Broughton: strings; Jessica Van
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland. The best show I ever attended was Earl Hines when I was in middle school. My Dad took me. The first jazz record I bought was a Dinah Washington LP. My advice to new listeners is to find artists and composers that are not mainstream. Go outside the box. Please don't just purchase what they are pushing on iTunes.