Results for "soprano saxophone"

Louie Belogenis

Born: June 22, 1953

Louie Belogenis is a self-taught musician who came of age during the heady days of the old East Village, when the remnants of a New York City avant-garde were still alive. Influenced by Buddhism, poetry, film, music, dance, and theater (he was a member of Richard Foreman’s Ontological-Hysteric Theatre for four years), Louie felt like a bohemian Alice in an esoteric Wonderland.

At this time he became friends with John Zorn, who selected Louie’s first saxophone from We Buy on Third Avenue and 11th Street. Encouraged by Zorn and musicians like Bill and Wayne Horvitz, Phillip Johnston and Joel Forrester, he entered the proverbial woodshed,  occasionally emerging to perform in public. It was during a gig with William Hooker’s ensemble that Rashied Ali heard Louie play, and invited him to visit his studio, the site of the former club Ali’s Alley. That fortuitous meeting led to the band Prima Materia, and many recordings and tours throughout the mid- and late 90’s. The relationship with Rashied continued up to the master’s untimely passing in 2009, with Louie visiting – sometimes on a weekly basis – to play and listen to stories from ‘back in the day.’

Kate Olson

Born: February 22

Kate Olson is an improvising saxophonist and music educator based in Seattle, WA. Since moving to Seattle in 2010, she has done her best to infiltrate the local, regional and international improvised music scenes. She can be heard performing with her own projects KO SOLO and KO ELECTRIC,  and as a collaborator with the Royal Room Collective Music Ensemble and Electric Circus (led by Wayne Horvitz), Birch Pereira and the Gin Joints, Battlestar Kalakala (formerly West Seattle Soul/the Pulsations) and with such Seattle staples as the Seattle Men's and Women's Choruses and cabaret producers Can Can Presents and Verlaine & McCann. Kate has a BA in Music (Jazz Emphasis) from the University of Wyoming and an MM in Improvisation from the University of Michigan, and is currently on the jazz faculty at Pacific Lutheran University.

Richard Davies

Born: March 27, 1974

I am a UK saxophonist experimenting with cinematic sounds and marrying jazz, blues, the electronic and ambient styles. I have been playing tenor and soprano sax for over 30 years and have a dozen albums to my name as well as appearing on many other titles across a number of genres. I also dabble in keyboards and electronics to create soundscapes.

Randy Resnick

Born: July 9, 1947

Randy Resnick  is a guitarist who has played and recorded with many blues and jazz luminaries, such as Don "Sugarcane" Harris, John Lee Hooker, Red Holloway, John Mayall and Freddie King. He was developing a tapping style in the early 1970s. He published a CD of his own music, "To Love", in 1995, featuring musician friends from Tower of Power, Herbie Hancock Monster Band, and Tom Waits.

In October 2012, Randy played with Canned Heat  at blues festivals in Bergerac and Avignon, France.

Nathan Hanson

Born: May 11, 1963

Saxophonist and composer Nathan Hanson makes music that invites listeners to stand outside themselves and the flow of time. His improvisations are “lithe and soaring, engaging in judicious honk 'n' splatter” (New York City Jazz Record).  

In Europe, Hanson has performed at the Atlantique Jazz Festival, Splendor in Amsterdam and the Sons d’Hiver Festival in Paris. In the US he’s played at New York’s Knitting Factory, the Outpost in Albuquerque, the Walker Art Center in Minneapolis, and Chicago’s Elastic.  

With grants from New Music America and the Minnesota State Arts Board Hanson has launched solo projects that explore how space interacts with sound. Whether it’s a cathedral, a tree farm, or a sculpture garden, Hanson investigates how to channel the sound of each performance space. The energy of the audience circulates with the music, silence and breath. The effect leads listeners to become more present to the unfolding of each moment.  

David Bertrand

David grew up in the Trinidadian neighborhood of Cocorite, four lanes of highway from the sea. Growing up, he played a wide range of classical and folk music before a chance BBC jazz broadcast at midnight through his grandmother’s GE radio forever changed his relationship with music. Encouraged by the artistry of Joe Farrell and Kent Jordan, he was determined to join the fraternity of musicians who have championed the flute as a credible jazz instrument.

His own voice has been deeply influenced by the world of jazz tenor saxophone, the instrument he’d always felt connected to which was simply not available in his band program at the time. Initially drawn to the iconic figures of John Coltrane and Joe Henderson, his ear also turned to the voices of players active in his lifetime: in the days of dial-up internet, a young David would patiently wait upwards of a hour just so he could hear the likes of Mark Turner, Chris Bacas and John Ellis for the first time. 

Tito Martino

Born: September 2, 1937

Tito Martino (*1937), Brazilian born clarinetist and saxophonist plays enthusiastically since 1957, in the tradition of Johnny Dodds, Sidney Bechet, Albert Nicholas, Omer Simeon, George Lewis. He recorded 8 LPs and 5 CDs. Tito talked to Louis Armstrong and Duke Ellington and jammed with Teddy Wilson, Oscar Peterson (that was fortunately recorded), Wally Rose, Bob Wilber, Bob Haggart, Louis Nelson, Alvin Alcorn, Louis Barbarin, Louis Cottrell Jr. and other big names of Jazz. In 1974 Tito Martino managed to take his Band to the USA, to play some gigs in New Orleans, N.York, New Jersey, Miami and Tucson Arizona

Rob Ames

Born: April 12, 1956

Rob Ames is a soprano saxophonist from the Weirs Beach, NH, and Boston, MA areas.

Georgianna Krieger

Born: March 21, 1967

Georgianna Krieger began playing the saxophone at the age of 9 and just kept playing. She spent several formative years growing up in Denton Texas, a fabled jazz town, and attended the Arts Magnet High school at Booker T. Washington in Dallas. Her first musical memory is of Gerry Mulligan, so it’s not surprising that she plays the baritone saxophone in addition to alto and soprano. If you asked her, Georgianna would tell you she sees a direct correlation between gestural drawing, her visual art and jazz improvisation. “The media are quite different” she says, but the conceptual goal: “to explore a fleeting moment”, is the same. 

Klaus Lessmann

Born: April 20, 1961

Klaus Lessmann (Clarinetist, Saxophonist, Composer, Arranger, Conductor) Originally from Burghausen (Germany), he studied classical music and jazz at the Musikhochschule Graz (Austria) and has lived since 1986 near Siena in Italy. He teaches jazz (clarinet, saxophone, combo, big band, arrangement) at the school of the Siena Jazz association and in other schools and workshops, and is regional coordinator for Italy of the International Association of Schools of Jazz (IASJ). He also teaches music to kids in regular schools. He performs with all sorts of groups, from dixieland and gypsy jazz to contemporary stuff