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Christian Howes & Richard Galliano: Southern Exposure
by Howard Mandel
Christian Howes wants you to know that Southern Exposure is not simply another violin and accordion record, some light-hearted evocation of Parisian café music. “It's deeper than that," Howes, the 40-year-old violinist who is also an educator and online entrepreneur, says of his 13th album (counting self-produced projects from the 1990s). “I think there's ...
Nilson Matta's Brazilian Voyage: Copacabana
by Howard Mandel
Everyone wants to go to Brazil, and one of the easiest, most pleasant ways of doing so is to listen to bassist Nilson Matta's Brazilian Voyage. The third album organized by Matta, a native of Sao Paolo who moved to Rio in 1970 and the U.S. in 1985, conjures the vistas and moods of a country ...
Nicole Mitchell and Michel Edelin: The Ethiopian Princess Meets the Tantric Priest
by Howard Mandel
Nicole Mitchell and Michel Edelin are two of the most creative flutists in music of any sort today, brilliant improvisers with highly developed sensitivities to sound who share a passion for collaborating in real time. Yet their personal approaches to playing one of the oldest instruments in the world represent two far ends of an esthetic ...
Butch Morris: Current Trends in Racism in Modern America
by Howard Mandel
When a full house of ardent downtown music followers flocked to the old Kitchen, a performance loft on Broome Street in Manhattan's artsy Soho district on the cold night of February 1, 1985 to hear Current Trends in Racism in Modern America by Lawrence Douglas “Butch" Morris--I don't recall if it was advertised as “Conduction No. ...
Ark Ovrutski: 44/33
by Howard Mandel
Wherever a jazz musician starts their professional journey, he or she must come to grips with what one must do to create a personal approach based on technique, imagination and feeling. Composer and bassist Ark Ovrutski likes to say that since the age of 20 he has been an “international homeless traveller." But with the release ...
Kahil El'Zabar: What It Is!
by Howard Mandel
Behold and behear: What It Is!, the 58th recording to feature composer-drummer/percussionist-bandleader-music director and interdisciplinary arts activist Kahil El'Zabar. The album debut of a six-year-old band comprising three Generation Next players who've emerged from the school of Chicago's renowned AACM (Association for the Advancement of Creative Musicians) with chops benefitting from 59-year-old Kahil's mentorship, What It ...
The Great Houdini: Arnett Brewster and Woodrow T. Greenwich
by Howard Mandel
Guitarist Arnette Brewster and harmonica man Woodrow Tecumseh Greenwich hang out in the office of the jazz department at New York University, playin' the blues. It's natural to them as drinkin' water. They've been playin' the blues all their lives. Door's open and famous jazz musicians peek in. Some scoff at these bluesmen. Some ...
Yoron Israel: Visions – Tribute to Stevie Wonder
by Howard Mandel
One of the enlightening insights drummer and bandleader Yoron Israel brings to Visions, The Music of Stevie Wonder is that Wonder's hits are true jazz compositions, with inherent swing and groove. Not only have the easy-to-love melodies of Stevland Hardaway Morris (b. May 13, 1950) become staples of the modern American soundtrack, they naturally ...
Oleg Kireyev and Keith Javors: The Meeting
by Howard Mandel
How far must a reeds virtuoso from Bashkiria--a town in the Ural Mountains, southeast of Moscow towards Mongolia--and a pianist-composer-educator from southern Illinois, now living in Philadelphia, have to go to get together? Not very, based on the music Oleg Kireyev and Keith Javors arrive at on The Meeting. Simply to a shared sense of joy ...
Andrew Cyrille, Elliot Sharp, Richard Teitelbaum: Evocation
by Howard Mandel
Evocation is what all writing about music must be about and may be the mission of music itself. To create an impression, to summon a memory or tender a suggestion of presence using materials that are not substantially those of the endeavor's subject--isn't that the fundamental purpose of any art? Not to be pretentious ...
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