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Charlie Shavers

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Charlie Shavers was one of the great trumpeters to emerge during the swing era, a virtuoso with an open-minded and extroverted style along with a strong sense of humor. He originally played piano and banjo before switching to trumpet, and he developed very quickly. In 1935, he was with Tiny Bradshaw's band and two years later he joined Lucky Millinder's big band. Soon afterward he became a key member of John Kirby's Sextet where he showed his versatility by mostly playing crisp solos while muted. Shavers was in demand for recording sessions and participated on notable dates with New Orleans jazz pioneers Johnny Dodds, Jimmy Noone, and Sidney Bechet

News: Video / DVD

Charlie Shavers v. Harry James

Charlie Shavers v. Harry James

Back in early May, I received an email from a reader, Jeremy Mushlin, who had an interesting point: “I will go toe to toe with any Harry James fan and argue that Charlie Shavers was his trumpet-playing equal. Charlie just did not get the same opportunities and also wasn't as well organized as James. Compare Harry ...

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Article: Extended Analysis

The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66

Read "The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66" reviewed by Skip Heller


Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...

8

Article: Album Review

Gabriel Evan Orchestra: Global Entry

Read "Global Entry" reviewed by Jack Bowers


At least one dictionary defines an orchestra as “a large instrumental ensemble...which combines instruments from different families including bowed string instruments...woodwinds...brass...percussion..." and “other instruments such as the piano, celeste...and harp..." Or, in the vernacular of New York-based saxophonist Gabriel Evan, a jazz sextet with some but not all of the above. Which is an around-the-block way ...

19

Article: Year in Review

2020: The Year in Jazz

Read "2020: The Year in Jazz" reviewed by Ken Franckling


The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...

37

Article: Interview

Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho

Read "Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho" reviewed by Chris May


Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...

3

News: Recording

Charlie Shavers: Blue Stompin'

Charlie Shavers: Blue Stompin'

I like measuring jazz trumpeters on the heat scale. Imagine Chet Baker and Bix Beiderbecke all the way over on the cool left end and guys like Freddie Hubbard and Woody Shaw on the other end. You can almost plot all trumpeters along this line. In the case of Charlie Shavers, I'd probably put him to ...

3

News: Performance / Tour

Hot jazz in every sense

Hot jazz in every sense

Trumpeter and singer Bria Skonberg, a British Columbia native now making her mark on the New York jazz scene, brought her talents and charm to Southwest Florida on Sunday, March 8. She performed at the Glenridge Performing Arts Center in Sarasota in a South County Jazz Club concert. Skonberg, whose music is rooted in traditional jazz ...

1

News: Video / DVD

Video: Cafe Montmartre, '59-'76

Video: Cafe Montmartre, '59-'76

Oscar Pettiford was one of the great jazz bassists on the New York recording scene in the 1940s and '50s. Sadly, his name today is slipping into obscurity. In 1958, Pettiford moved to Copenhagen, where he died in 1960 at age 37. He was the first to play jazz cello in 1949, and few could match ...


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