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Don Suhor: From Dixieland to Bopsieland
by Charles Suhor
This article first appeared in the 2016 issue of The Jazz Archivist. My brother, Don Suhor, played clarinet and alto sax in a stunning variety of jazz contexts for over fifty-five years--almost exclusively in jny: New Orleans. I always felt frustrated by my brother's lack of concern with legacy. He made a few recordings ...
The New Orleans Jazz Scene, 1970-2000: A Personal Retrospective
by Charles Suhor
The New Orleans Jazz Scene, 1970-2000: A Personal Retrospective Thomas W. Jacobsen 208 Pages ISBN: 0807156981 LSU Press 2014 Full disclosure: I've long been an admirer of Thomas Jacobsen's writing, the catholicity of his musical tastes, and his warm personal regard for jny: New Orleans musicians. The last was ...
New Orleans drumming innovator Reed Vaughan, 75, dies
Drummer Reed Vaughan, 75, died in New Orleans on December 29, 2011. Vaughan attended Holy Cross High School and played during his early teens in a Dixieland group with trumpeter Murphy Campo and clarinetist Pee Wee Spitilera. At age 16 he studied with drummer Lou Dillon, the versatile leader of the pit band at the Sho-Bar ...
Gilbert Erskine, New Orleans Jazz Club Founder, Dies At 81
By Charles Suhor The last surviving founder of the New Orleans Jazz Club, Gilbert Erskine, died at age 81 in Malone, New York on December 5th last year, but his passing was unknown in New Orleans for almost nine months. Erskine's sole continuing contact from his New Orleans years, writer Charles Suhor, grew concerned after several ...
Strippers and Be-Boppers in Postwar New Orleans Jazz
by Charles Suhor
The article below was adapted by the author, a native Orleanian, from Jazz in New Orleans: the Postwar Years Through 1970 (Scarecrow Press/Rutgers Institute of Jazz Studies, 2001). New Orleans was a hotbed of jazz activity in many styles during the years after World War II, but it has been largely unrecognized by critics ...
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