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Musician

Eberhard Weber

Born:

He began recording in the early 1960s, and released his first record, Colours of Chloë (ECM 1042), under his own name in 1973. In addition to his career as a musician, he also worked for many years as a television and theater director. He has designed an electric-acoustic bass featuring an extra C-string. His music, often in a melancholic tone, follows simple ground patterns (frequently ostinatos), yet is highly organized in its colouring and attention to dramatic detail. Weber was a notable early proponent of the solid-body electric double bass, which he has played regularly since the beginning of the 1970s. From the early 1960s to the early 1970s, his closest musical association was with pianist Wolfgang Dauner

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Article: Album Review

Johnathan Blake: Passage

Read "Passage" reviewed by Dave Linn


The drummer Johnathan Blake was born in Philadelphia in 1976. His father was the esteemed jazz violinist and educator John Blake Jr. who played in many diverse settings, (most notably Archie Shepp and McCoy Tyner), before releasing seven albums under his name. He died in 2014. Blake (the son) began studying music at a young age, ...

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Article: Book Review

Eberhard Weber: A German Jazz Story

Read "Eberhard Weber: A German Jazz Story" reviewed by Andrew Hunter


Eberhard Weber: A German Jazz Story Eberhard Weber translated by Heidi Kirk 182 Pages ISBN: 978 1 80050 082 2 Equinox Publishing Ltd 2021 There are many musicians whose playing we can recognise in an instant; something about their phrasing, note choice and tone combine to give an unmistakable ...

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Article: Interview

Bill Frisell Interview: The Textural Minimalist Redefines American Music

Read "Bill Frisell Interview: The Textural Minimalist Redefines American Music" reviewed by Mike Brannon


This article was first published at All About Jazz on March 2001. It's safe to say, the great American composer/improviser has a new face. Formerly more likely to have been two different people, one committed to the quiet focused existence of composition at a piano while the other roaming the stages of the world, ...

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Article: Building a Jazz Library

ECM Records Touchstones: Part 3

Read "ECM Records Touchstones: Part 3" reviewed by Dan McClenaghan


Part 1 | Part 2 | Part 3 This third edition of “ECM Touchstones" explores more of the label's early recordings, repackaged and offered up as a way to present music that had perhaps slipped through time's cracks, into the hard-to-find category. Of these, four were re-released in 2019, one in 2008—24 to 47 ...

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Article: Album Review

Adam Berenson: Songs from the Garret

Read "Songs from the Garret" reviewed by Karl Ackermann


Adam Berenson's Songs from the Garret is a two-CD solo collection but the essence of other composers prowl in the shadows. The lofty album title pays tribute to particular compositions from Steve Swallow, Carla Bley, Michael Gibbs, Chick Corea and a host of others. Berenson, a well-versed composer/keyboardist, takes the unusual approach (for him) of focusing ...

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Article: Radio & Podcasts

The Artists Of ECM Records

Read "The Artists Of ECM Records" reviewed by Maurice Hogue


I've often tried to make the last show of a year a little different. Doing a special on ECM is an idea I've had for a while, and things finally came together to do it for 2022. I've always figured I had a great number of ECM releases in my collection, and when I started culling ...

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Article: Radio & Podcasts

Julius Hemphill, Nels Cline and Eberhard Weber

Read "Julius Hemphill, Nels Cline and Eberhard Weber" reviewed by Jerome Wilson


I have been having temporary difficulties in uploading my recent radio shows. While I work on that, here is a program from July 27, 2021, that features the usual wide variety of musicians. This show includes Julius Hemphill, Nels Cline, Brian Woodruff, and Eberhard Weber. Playlist Henry Threadgill Sextett “I Can't Wait To Get ...

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Article: Album Review

Szun Waves: Earth Patterns

Read "Earth Patterns" reviewed by Gareth Thompson


The second Szun Waves album, New Hymn To Freedom (The Leaf Label, 2018), was a critical smash that united fans of Radiohead and Pharoah Sanders alike. Media types drowned in a torrent of adjectives such as gleaming, sparkling and rippling, as if the combo of brass and electronics could produce anything else. Unless, of course, it ...

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Article: Album Review

Beledo: Seriously Deep

Read "Seriously Deep" reviewed by Chris M. Slawecki


Beledo's second MoonJune release flows through the listener's ears like the cinematic adaptation of an epic novel, but in sound. Seriously Deep quite deliberately moves from scene to scene (song to song), building up and releasing tension in music that sounds much too powerful and deep to have been primarily created by only three musicians: Uruguayan ...


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