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Clarence Becton

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Born December 16, 1933 in Mississippi, Clarence Becton moved at age twelve to Buffalo, N.Y. He worked locally with Pete Johnson, Don Menza, Don Ellis, and Wade Legge. Clarence also performed at the 'Royal Arms Club', playing for soloists like Coleman Hawkins, Clark Terry, John Hendricks. He left Buffalo with Hendricks touring the U.S. and Canada. In 1969 Clarence moved to Munich, working at the ‘Domicile Jazz Club’ and other locations with Pony Poindexter, Benny Bailey, Slide Hampton, Lucky Thompson, Mal Waldron, Dusko Goykovich and many other artists. Upon returning to the U.S

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Article: Interview

Greg Paul: We Can Share These Commonalities

Read "Greg Paul: We Can Share These Commonalities" reviewed by Barbara Ina Frenz


Drummer, composer, and band leader Greg Paul--born in 1987 and raised in Buffalo, NY--remembers his home town as a place of lived community, especially among musicians. That spirit never left him. On the contrary: he took it to the metropolis of Los Angeles where he relocated in 2011 and still lives today as an internationally acknowledged ...

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Article: Interview

Leonard E. Jones: Taking Control Of Destiny

Read "Leonard E. Jones: Taking Control Of Destiny" reviewed by Barbara Ina Frenz


Bassist and photographer Leonard E. Jones laid the foundation of his musical and artistic ideas as an original member of the Association for the Advancement of Creative Musicians. The AACM ranks as the most well-known and influential organization of the 1960s under African American leadership that created American experimental music through challenging “racialized limitations on venues ...

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Article: History of Jazz

Groove Town: Buffalo Jazz And Its Legacy - Historical Insights

Read "Groove Town: Buffalo Jazz And Its Legacy - Historical Insights" reviewed by Barbara Ina Frenz


From early on, Buffalo attracted musicians as a place to live and pursue their artistic endeavors—and they were excellent ones: Lil Hardin Armstrong, Jimmie Lunceford, Pete Johnson, and Stuff Smith. Dodo Greene, two masters of polyrhythm, Frankie Dunlop and Clarence Becton, as well as pianist and bassist Wade Legge grew up here. Two distinctive voices on ...

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Article: Album Review

Mal Waldron: Free At Last

Read "Free At Last" reviewed by Karl Ackermann


The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...

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Article: Interview

Clarence Becton: Straight Ahead Into Freedom

Read "Clarence Becton: Straight Ahead Into Freedom" reviewed by Barbara Ina Frenz


Clarence Becton is a musicians' musician—meaning, someone well-known in musician circles. He belongs to the generation of American jazz heroes who grew up under economically and socially difficult circumstances, and for that very reason, succeeded in gaining a comprehensive education, emancipating himself, and embodying the history of jazz music by directly learning from and working with ...


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