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Anthony Hervey with the John Toomey Trio at the Attucks Jazz Club
by Mark Robbins
Anthony Hervey may be fairly new on the jazz scene but he plays the trumpet with the chops of an older experienced player. A graduate of the Julliard School in 2020, Hervey has been a first-call sideman for Christian McBride, m :Jon Batiste, Michael Buble and Wynton Marsalis among others. His musical prowess was not only ...
Dr. John: The Montreux Years
by Dave Linn
New Orleans is considered the birthplace of jazz. In the late 1800s, the city was a melting pot of different cultures, including African, European, and Caribbean. This cultural diversity had a profound impact on the music of the city. The new sounds of Dixieland and ragtime became the foundation in the evolution of jazz. Artists such ...
Buselli / Wallarab Jazz Orchestra: The Gennett Suite
by Dan McClenaghan
This is where music for mass consumption--recorded music--started, in Richmond, Indiana, in the 1920s, in a piano factory by the railroad tracks in a glacier-carved gorge. Established in 1887, in the beginning Starr Pianos' bread and butter was pianos, but they branched out to selling other instruments and eventually photographs and records--their own records, recorded in ...
Jazz For The Serious Connoisseur
by Phillip A. Haynes
In tackling this top ten list for serious students of jazz, the focus was on works that shocked and intrigued upon first and successive listens, striving to understand their meaning, materials, historical context, and influence on contemporary improvisation. “Blackbird" (1980) by Bobby McFerrin, The Voice (Elektra, 1984) When released, McFerrin's astounding virtuosity ...
Grant Geissman, Nicholas Payton and Art Blakey
by Joe Dimino
We begin the 779th Episode of Neon Jazz with a tune from guitarist Grant Geissman's new album Blooz. From there, we hear from one of his early mentors in Chuck Mangione. We get a bit of Chicago flair from singer Tracye Eileen and the great King Oliver. As the episode marches on, we hear new music ...
Juliet Varnedoe: Cajun Blue
by C. Michael Bailey
New York based singer songwriter Juliet Varnedoe has a plan. She has developed a New Orleans themed recording, Cajun Blue, which is to be released later this year, a collection of eight original blues and jazz songs combining the disparate influences of King Oliver Creole Band, the classical French chanson as realized by Blossom Dearie and ...
Rich Halley: Boomslang
by Mark Corroto
Jazz has, to some extent, always been about making connections and pointing out interrelations. Ever since Buddy Bolden blew his cornet in New Orleans around the start of the twentieth century, listeners have been playing connect the dots, linking Bolden's innovations to King Oliver and Oliver's to Louis Armstrong, likewise Buck Clayton to Dizzy Gillespie and ...
Fit As A Fiddle: How The Violin Helped Shape Jazz, Part 1
by Peter Rubie
Part 1 | Part 2 That was then... Considering jazz is an art form that mostly makes it up as it goes along, it's ironically appropriate that printed records--i.e., data--from the days of its birth are decidedly sparse. We know, at least, that during the 18th and 19th Centuries in New Orleans white plantation ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
That Slow Boat to China: How American Jazz Steamed Into Asia
by Arthur R George
A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...
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