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Article: Album Review

Riverloam Trio: Live At The Alchemia

Read "Live At The Alchemia" reviewed by John Sharpe


Recorded at Krakow's legendary jazz club, Live At The Alchemia constitutes the third outing from what has become a perfectly-balanced unit, following the eponymous Riverloam Trio (NoBusiness, 2012) and Inem Gortn (FMR, 2014). Although, traditionally, Polish reedman Mikolaj Trzaska might be seen as the apex of a musical pyramid, supported by the solid foundation provided by ...

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Article: Year in Review

John Sharpe's Best Releases Of 2018

Read "John Sharpe's Best Releases Of 2018" reviewed by John Sharpe


Here are 12 new releases which stood out among the 200 or so discs that I heard this year, in no particular order. It's worth noting that Japanese pianist Satoko Fujii set herself the challenge to release a CD every month during 2018, to mark the milestone of her 60th birthday. Her output has been so ...

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Article: Album Review

Riverloam Trio: Inem Gortn

Read "Inem Gortn" reviewed by John Sharpe


After an impressive eponymous live debut, the Anglo Polish Riverloam Trio, comprising reedman Mikolaj Trzaska, bassist Olie Brice and drummer Mark Sanders, enter the studio for their follow up outing. In many ways they deliver more of the same: fiery free improvisation in post-Ayler mode. As a threesome they are perfectly matched both temperamentally and musically. ...

Album

Riverloam Trio

Label: NoBusiness Records
Released: 2012
Track listing: Riverloam; Kornic; Ostrich Season; Carnival Of Shapes; Sumac And Pokeweed.

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Article: Album Review

Mikolaj Trzaska / Olie Brice / Mark Sanders: Riverloam Trio

Read "Riverloam Trio" reviewed by John Sharpe


Mikolaj Trzaska (pronounced “Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPhee on the excellent Magic (Not Two, 2009), with reedman Ken Vandermark's ...


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