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Cory Weeds: O Sole Mio! Music From The Motherland
by Jack Bowers
O Sole Mio!, the latest in a series of splendid albums by Canadian-bred saxophonist/entrepreneur Cory Weeds, is subtitled “Music from the Motherland"-- in other words, Italy, which, presumably, is Woods' ancestral home. Whatever the case, Woods' blue-chip quintet focuses for the most part on music born in Italy or written by Italian-Americans including Henry Mancini, Nino ...
Detroit Jazz Festival 2018
by C. Andrew Hovan
Detroit Jazz Festival Downtown Detroit Detroit, Michigan August 31-September 3, 2018 Over the course of its 39 year history, the largest free jazz festival in North America has seen its shares of up and downs. It once swelled to a five-day event starting on the Thursday evening before Labor Day and ...
Kurt Rosenwinkel at Chris’ Jazz Café
by Victor L. Schermer
Kurt Rosenwinkel Quartet featuring Peter Bernstein Chris' Jazz Café Philadelphia, PA December 30, 2017 As the New Year approached in frigid weather, venturing out in the cold to Chris' Jazz Café to hear two of the finest jazz guitarists close up proved to be a great way to warm up ...
Bastet: Eye of Ra
by Dave Wayne
Billing themselves as “original modern West Coast Jazz," I half- hoped to see Shelly Manne and Bud Shank pop up amongst the credits on Bastet's debut album Eye of Ra. Alas, the music of this Bay Area-based quartet apparently has very little to do with the Los Angeles- based West Coast jazz scene that spawned such ...
Jon Lundbom & Big Five Chord: Jeremiah
by Mark Corroto
The seventh album by guitarist Jon Lundbom and his septet Big Five Chord leaves little room for fence sitters. His music, like fellow band members Jon Irabagon and Moppa Elliott of Mostly Other People Do The Killing, walks the razor's edge between clamorous and cultured. It's comfort is often the discombobulation. That said, isn't that what ...
Fareed Haque: Out of Nowhere
by Chris M. Slawecki
Fareed Haque is quite clear about the impact of guitarist Pat Martino on his own playing: “He is my inspiration in jazz guitar. And if I have a mission, it's to blend the John McLaughlin world with the Pat Martino world. Every guitarist, every musician, is a synthesis of the history. So if you want to ...
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