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Rinascita a Chicago: le gemme dell’etichetta International Anthem
by Angelo Leonardi
Non è casuale che l'etichetta indipendente più innovativa nell'attuale panorama jazzistico (e non solo) sia nata e operi a Chicago. È noto infatti che la metropoli dell'Illinois è una delle capitali del jazz, avendo svolto un ruolo centrale in tutta la storia musicale afro-americana, talvolta paritetico con quello di New York. Nel 2014 ...
Peter Brötzmann & Fred Lonberg-Holm: Memories of a Tunicate
by Mark Corroto
Peter Brötzmann in a duo format brings out the best of Peter Brötzmann. Yes, but maybe of greater import, the duo also ennobles his improvising partner. Not that cellist Fred Lonberg-Holm needs the accolades. He has been front-and-center of the creative music scene for more than three decades, collaborating with the likes of Joe McPhee, Ken ...
Stephen Gauci / Sandy Ewen / Adam Lane / Kevin Shea: Live at the Bushwick Series
by Mark Corroto
There are certain musicians, let's call them axis musicians, who are always at the center of a scene or movement. Dave Rempis, William Parker and Ken Vandermark can consistently be found at the epicenter of a sound or scene. This is also true of saxophonist Stephen Gauci, the coordinator of a music series at the Bushwick ...
Kjetil Møster: Ran Do
by Mark Corroto
More than in any other American jazz scene, the musicians of Chicago have embraced and continue to embrace their colleagues in Europe and the UK. In the 1990s the Chicagoan Ken Vandermark began a long-standing association with Mats Gustafsson (Sweden) and Peter Brotzmann (Germany). And Hamid Drake has been crisscrossing the Atlantic for ages. These connections ...
Ai Confini tra Sardegna e Jazz - XXXII Edizione
by Paolo Peviani
Ai Confini tra Sardegna e Jazz Sant'Anna Arresi Piazza del Nuraghe 01-10.09.2017 Max Roach e la sua We Insist! Freedom Now Suite. Erano queste le coordinate di riferimento della trentaduesima edizione del festival Ai Confini tra Sardegna e Jazz. Percussioni, dunque, ma anche lotte per i diritti civili, per le conquiste ...
Dan Phillips Quartet: Converging Tributaries
by Mark Corroto
Sorry New York, but Chicago jazz hits harder. And maybe it always has, with players like Gene Ammons, Von Freeman, Fred Anderson and today's stars, Dave Rempis, Frank Rosaly, Hamid Drake, and Fred Lonberg-Holm, to name just a few musicians. Maybe it is the winters, or is it the searing heat of summer that mutates the ...
Steve Swell: Kanreki: Reflection & Renewal
by John Sharpe
To mark his sixtieth birthday (December 6, 2014), trombonist Steve Swell, long the pre-eminent trombonist on the NYC free jazz scene, invokes the Japanese custom of Kanreki. Although it is said to signal both a rebirth and a handing on of responsibilities, Swell shows no signs of allowing the occasion to inhibit his ambition. Over the ...
Ab Baars Trio: Slate Blue
by Mark Corroto
There used to be something about the Dutch jazz scene that made it stand out from American jazz, British jazz, and well, other European happenings. The “New Dutch Swing," to borrow the title from Kevin Whitehead's 1998 book, comprised an irreverent brand of music making, with little regard to tradition. Dutch players leaned heavily on Dada ...
Gebhard Ullmann/Basement Research: Hat And Shoes
by Mark Corroto
Saxophonist Gebhard Ullmann might be the German equivalent of Chicago's Ken Vandermark. Both players are influential composers and both maintain multiple creative ensembles in Europe and the United States. Like Vandermark, Ullmann's catalog is vast. Hat And Shoes is his 50th release as a leader or co- leader, and this band Basement Research have put out ...
Timothy Daisy: October Music (Vol. 1) 7 Compositions For Duet
by Mark Corroto
In 2001 drummer Tim Daisy replaced Tim Mulvenna in Vandermark 5. From that instant, his career has evolved first as a sideman to composer/saxophonist Ken Vandermark in V5, Bridge 61, Resonance Ensemble, The Frame Quartet, and more recently in Audio One and Made To Break. Next he distinguished himself with fellow Chicago musicians in Dave Rempis' ...
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